Characterization of Human and Non-human Subjects
Question:
Some writers start their texts with a question; some writers begin with a powerful visual, a startling statistic, a controversial claim, or a provocative quote. Other writers start with character—very likely a character that is going to be challenged in some way. Foer begins his essay with the following sentence: “Silicon Valley graduated from the counterculture, but not really” (56). In this, he is characterizing Silicon Valley, and the tech industry by implication, as a not-exactly-failed-not-exactly-graduated student: a character, challenged not unlike yourselves at this moment. Yet, Foer’s characterizations—of humans and non-humans alike—need not be static: forever failing or solely successful. Within Foer’s chapter, even Facebook—an organization—fluctuates when describing its own intentions: gravitating at times toward “radical transparency” at other times toward “ultimate transparency” (60). And yet, even in allowing for contradictions, these characterizations, as Foer says of Facebook’s experiments, “add up” (75). So, what other strong characterizations of human and non-human subjects (Zuckerberg, algorithms, Facebook, etc.) exist throughout this essay. How do they add up and shape Foer’s argument?
Questions to get you started:
- What are some (4-5) of the specific human and non-human figures Foer characterizes in his article and how does he go about characterizing them?
- Where do you see synecdoche—or parts representing a whole—at work? What patterns and/or differentiations exist within and between them, and how might these impact interpretations of this chapter?
- Of generalization and algorithims, Foer writes: “Where we speed things up, we’re necessarily cutting corners.” Where does Facebook’s treatment of its users lack nuance? Where does Foer’s treatment of his subjects seem to be similarly over-general? And, in contrast, where do the company’s and author’s approaches appear more comprehensive or fully-detailed, and what can emerge from these uncut corners?
Rough Draft (at least 4 full pages) Due: as a submission to Rough Draft Essay 1 on our Sakai site (sakai.rutgers.edu) no later than 4pm on Monday, February 4th. Your file title should be your last name, followed by your first initial, a single underlined space, and RD Essay1 (for example: DahlieS_RD Essay1). We will peer-review your rough drafts on Monday. Please bring two printed copies.
As a reminder, per our syllabus, rough drafts submitted late will result in a half-letter grade deduction from the final draft of your essay.
Required formatting: double-spaced, 1-inch margins, 12-pt. font (Times New Roman), MLA format. Headers, page numbers, and quotations should be formatted to proper standards.
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