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Visual & Performing Arts
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Essay
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English (U.S.)
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Topic:
Music and censorship
Essay Instructions:
Read the Reddit discussion (now closed to further comment) of the New York Youth Symphony incident (https://www(dot)reddit(dot)com/r/classicalmusic/comments/2xycvk). This discussion is fascinating because it includes several relevant sub-topics: when a piece of music acquires a new meaning, do any old meanings become irrelevant? Did Jonas Tarm, the composer, have an obligation either to disclose the use of "The Horst Wessel Song" or to explain why he used it? If so, to whom was he obliged? Revisit the Jonas Tarm incident in light of the Reddit discussion, engaging with some of the issues raised by commenters in the thread.
Additional info: Recap
We examined specific historical incidents in which the power of music was confirmed, though both examples were efforts (sometimes successful) to keep music from being performed. The irony, of course, is that in the case of both the PMRC and the New York Youth Symphony, it was the audience(s), not the musicians and composers, who felt most strongly about the power of the music they objected to.
Essay Sample Content Preview:
Music and Censorship
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Music and Censorship
One of the central themes in the Reddit discussion is whether a piece of music, over time, can acquire new meanings. In the case of Tarm’s composition, the use of "The Horst Wessel Song," a Nazi anthem associated with fascism and Adolf Hitler, dramatically altered the piece’s perception. The original context of the song, associated with hate, totalitarianism, and violence, was hard to ignore, despite Tarm's artistic intentions. When a piece of music carries with it such heavy historical baggage, the new meanings or interpretations can be vastly different from what the composer originally intended. The core question is whether these new meanings make the old ones irrelevant. In a sense, one could argue that the historical significance of a piece, particularly a politically charged one, remains even as time passes. If anything, these meanings can continue to resonate with new generations, whether intended or not. For example, the presence of "The Horst Wessel Song" in a contemporary piece could bring its associations of fascism back into the public consciousness, overshadowing any neutral or positive artistic intent the composer might have had. In this context, the new interpretations might overshadow the original meaning, even if the composer did not intend it.
Composer’s Obligations
The question of whether Jonas Tarm had an obligation to disclose the use of "The Horst Wessel Song" or to explain why he used it is an essential one in the debate on music and censorship. In his defense, Tarm could have been using the song to make a statement about historical context, to reflect on the haunting persistence of fascist ideologies, or to critique the power of music to shape political movements. However, given the charged history of "The Horst Wessel Song," it seems reasonable to suggest that Tarm should have offered some explanation. As for who Tarm would have been obliged to disclose his use of the song to, the answer is multifaceted.
Ethica...
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