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3 pages/≈825 words
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MLA
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Literature & Language
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Essay
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English (U.S.)
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In this essay, you will demonstrate knowledge of Ancient Greek Tragedy, Aristotle's Poetics, and Sophocles' play Antigone
Essay Instructions:
In this essay, you will demonstrate knowledge of Ancient Greek Tragedy, Aristotle's Poetics, and Sophocles' play Antigone. The essay requires eight paragraphs. The first paragraph should be focused on general knowledge of Ancient Greek Tragedy. In the second paragraph, you will have to demonstrate knowledge of Aristotle's terms: hubris, hamartia, anagnorisis, peripeteia, and catharsis with a focus on hubris. These initial paragraphs should be followed by a third paragraph providing a plot summary of the play Antigone ending with a thesis on Creon and his hubris. The fourth and fifth paragraph should offer a reader a character sketch of Creon and Antigone and how each character displays hubris. The sixth and seventh paragraph should present an analysis of the climactic scene between Creon and the blind prophet Tiresias applying Aristotle's terms. Finally, in the last paragraph, you should respond with your own personal example of hubris or a modern example from television or film.
Sources for this essay can come from our textbook, the Drama Lecture in Modules, and reliable web sites. The readings in the Modules on Ancient Greek Theatre from the History Online Encyclopedia and Aristotle's Poetics can also be used as sources. Make sure you credit your sources by using correct MLA form for parenthetical citations and providing a Works Cited page.
If you reference the video recommended in class Modules, use the following information for your Works Cited page:
Antigone. Perf. Irene Papas. Dir. Yorgos Javellas. 1962. Ivy Productions, 1998. Videocassette.
Remember that you should also use 2-4 quotes or paraphrases from the play in your essay and list the play on from our ebook in your Works Cited page. Make sure you list your modern example using correct MLA form. Edit sentences carefully for phrasing problems and errors. Finally, make sure you give your essay a meaningful title.
Use correct MLA form with standard one-inch margins, standard double spacing, and a legible font. Make sure your name, the class including the time we meet, the date, and the name of the assignment appear in the upper left-hand corner of the first page. The essay must be written in Standard American English.
Remember to adhere to our class guidelines for Academic Integrity: the submission for the assignment must generate a Turnitin Score and AI usage of less than 25%.
Essay Sample Content Preview:
Student NameProfessorCourse Date
Hubris and the Fall of Creon in Sophocles' Antigone
Ancient Greek tragedy entertained and educated Athenians. These plays of the Dionysus festivals dealt with the most profound issues of man, destiny, egoism, justice, and the law of the gods. Sophocles, Aeschylus, and Euripides produced plays on heroic people who failed due to moral blindness or disobedience to the gods. To cleanse feeling, Aristotle, in his Poetics, asserted that tragedy was meant to elicit pity and horror in the viewers. Antigone by Sophocles best exemplifies this as it shows pride, subversion, and the fatal price of human pride.
The key themes of tragedies by Aristotle are hubris, hamartia, anagnorisis, peripeteia, and catharsis. Hubris is extreme pride, and this is opposed to God. Hamartia is the deadly flaw that leads a hero to their demise (Sophocles). At the anagnorisis, recognition and truth are identified. The foil of fate is called peripeteia, and the catharsis is the purgation of feelings of the audience. In Antigone, hubris reigns. Being a proud king and Antigone being committed to the divine rule is what leads to the tragedy. According to Aristotle, Creon is a tragic hero because his ego killed him.
The play starts following the civil war in Thebes, where Eteocles and Polyneices, two brothers, killed each other in battle. Creon, the newly appointed king, orders that Eteocles will be buried and that Polyneices, a traitor, will be unburied. Their sister Antigone disobeys this order, as the law of the gods of burying the dead, according to her, surpasses the law of men. Her civil disobedience jump-starts the moral struggle of the play. This scene in the 1962 film version by Yorgos Javellas and starring Irene Papas is captured in a chilling visual symbolism- the pregnant silence of Antigone, which is in contrast with the authoritarian figure of Cre...
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