Music Journal #3

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Despite the inability of reggae music to stir me, I found it extremely hard to resist this piece by reggae musicians.  I am just impressed and amazed by every bit of blended sound instruments that was harmoniously used.  I realized that the work of reggae artists is complete with genius.  This experience came after I attentively listened to a composition by renowned artists like Lucky Dube, in the winter gala of South Africa. His composition raised my urge to listen to other such music. Previously I had always wondered why people would sit in an auditorium devotedly listening to reggae music. However, now I’m fully aware and even would wish the opportunity comes round soon so that I can be the first in the auditorium.
Reggae music is revered by many for its tradition of social criticism contained in its’ lyrics. However, many reggae compositions discuss lighter and extremely personal subjects, such as love and socializing. A considerable number of artists also utilize religious themes in their music. Another frequent socio-political topic in reggae songs revolve around Black Nationalism, anti colonialist, as well as anti capitalist ideals.
For instance, the reggae shows I attended made me learn a lot from their compositions. I concluded that he was a devoted model whose productions had content to entertain and educate society. That night in Johannesburg stage was the greatest opportunity for the icon. When the unique Hammond reggae-organ went on together with other accompaniments, the audience was held hostage to their comfort of correct sound. Despite the Hammond being the most difficult reggae keyboard rhythm, the staging troupes played the 8th beats with ease and expertise.
Once the band assumed the stage, I recognized that this was going to be the most exciting encounter I have ever had. I had heard of it many times in adverts, on TV and radio as well. It started out in high gear and left the audience mesmerized.  I felt like it was to announce the commencement of a party or some official party’s entrance to an event. Later in the first movement it sounded to me like it had started to slow down. Then it instantly softened with the tempo starting to hurriedly shooting up. It gracefully stirred sounds of happy sensations to the majority including me. 
In it subsequent beat the movement the climax mark the piece changed making me feel as if something had just happened. The piece sped up like causing us to feel nervous but it suddenly calmed down again as if restoring peace to the stage and audience.  
The third movement was slightly shorter than the past two and seemingly passed without notice into the fourth movement. I developed liking for the third movement since it felt like the tempo was hinged to the second mov...