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Topic:

Writing a Fairy Tale Guided by Traditional Fairy Tale Patterns

Essay Instructions:

Pick ONE of the following four topics:

1. Liquid Ladies: Analyze the function of fluidity in the construction of female subjectivity in Hans Christian Andersen’s “The Little Mermaid,” Friedrich de la Motte Fouqué’s Undine and the Disney films The Little Mermaid and Frozen. How does each

tale use fluidity to construct strong female characters? Does each tale challenge its own construction of strong female characters? How does the medium of each tale (literary tale, film) contribute to the construction of female subjectivity?

Notes:

(1) Your essay must reflect an awareness of the course material, and must include examples not discussed in class.

(2) Your essay should NOT rely on outside sources. Rather, you should read the tale and view the films, and analyze them yourself! If you do consult outside sources, you must document them. Failure to do so will result in a failing grade for the assignment and for the course. Essays that rely on or are essentially summaries of outside sources are not acceptable.

(3) Your essay must be your own work, and must not be similar in form, content, and/or argumentation to those of your classmates.

©Martha Helfer 2022


2. The Anti-Fairy Tale: Analyze the interweaving storylines in Art Spiegelman’s Maus (volumes I and II) and Maurice Sendak’s illustrations to Wilhelm Grimm’s Dear Mili. How does each author use the interplay between image and word to create an anti- fairy tale?

Notes:

(1) Your essay must reflect an awareness of the course material, and must include examples not discussed in class.

(2) Your essay must not contain the phrase “a picture is worth a thousand words” (or variations of this idea).

(3) Your essay should NOT rely on outside sources. Rather, you should read Maus and Dear Mili, and analyze the texts yourself! If you do consult outside sources, you must document them. Failure to do so will result in a failing grade for the assignment AND for the course. Essays that are essentially summaries of outside sources are not acceptable.

(4) Your essay must be your own work, and must not be similar in form, content, and/or argumentation to those of your classmates.

Essay length: 2400-2800 words (approximately 8 pages)

3. Your choice: You may select your own topic. This is to be an academic essay on material related to the course, not a work of fiction. If you choose this option, you must submit your topic to me for preapproval by Friday, April 22th. No exceptions.

Notes:

(1) If you consult outside sources, you must document them. Failure to do sowill result in a failing grade for the assignment AND for the course. Essays that rely on or are essentially summaries of outside sources are not acceptable.

(2) Your essay must be your own work, and must not be similar in form, content, and/or argumentation to those of your classmates.

Essay length: 2400-2800 words (approximately 8 pages)

4. Writing Anew: Write a fairy tale that critically engages one or more of the tales or themes we’ve studied in this course. In addition, you must include a self-critique that analyzes the title, structure, language, and content of your tale. The self-critique must:

(a) discuss the inspiration for your tale; and (b) clearly identify the ways in which your tale challenges or perpetuates traditional fairy tale thought patterns or ideologies, making specific references to material covered in this course. You must refer to a minimum of 5 tales or films listed on the syllabus. It is not enough to simply list titles. You should explain how your tale engages with the course material!

Essay length: Fairy tale 1800-2800 words (approximately 6-8 pages) AND self- critique (minimum 750 words; maximum 950 words). Make VERY SURE that your self-critique presents a clear, thoughtful analysis and adheres to the minimum and maximum length guidelines!

Notes:

(1) Your self-critique must reflect an awareness of the course material, and must include answers to the questions posed in the prompt. This portion of the assignment should adhere to the “Guidelines for Writing a Good Essay.”

(2) Your fairy tale may be a rewriting of a traditional tale (or tales). Alternately, you may write a completely new tale. It may be set in past, present, or future.

IMPORTANT: If you choose to rewrite a traditional tale, your version must differ SUBSTANTIALLY from the original. It is NOT sufficient to simply change names or alter the ending of a traditional tale. If in doubt, check with me before submitting your essay.

(3) You may not submit a fairy tale based on “Little Red Riding Hood” / “Little Red Cap” without my preapproval. No exceptions

(4) If you consult outside sources, you must document them. Failure to do so will result in a failing grade for the assignment AND for the course.

(5) Your fairy tale and self-critique must be your own work, and must not be similar in form, content, and/or argumentation to those of your classmates.

(6) Your tale must be work that you write specifically for this course. Do not recycle old material!!

Essay Sample Content Preview:

Fairy Tale Pain of the Innocent
Student's Name
Institutional Affiliation
Course
Date
Fairy Tale: Pain of the Innocent
Mary was only five years when her father disappeared mysteriously. He had gone hunting deep in the forest and often returned home after three days with a big catch. The father went hunting with a few young men, and when they returned, they would sing joyously about their catch. On a fateful day, Mary's father left with three other young men to venture deep into the forest. He had promised Mary and her mother to return as soon as possible. However, that evening, the young man returned home with the sad news that they could not trace him. The king ordered several men to go back to the forest in search of him, but after three days of searching, they returned with their faces down and admitted that they were unable to find him.
Life became difficult by day because Mary and her mother were left with no one to fend for them. One day, when she may have gone to fetch firewood, she met a charming prince who instantly fell in love with her and wanted to marry her. Mary was hesitant but later agreed. The prince was a savior to her because he was not only a companion but would also take her from the extreme poverty that they lived in. Her mother was excited about the news and thanked God for the blessing. However, the prince was the main obstacle to their union. She wanted her son to marry from a royal family and not a pauper like Mary. When the prince introduced Mary to her, she asked, "From which family is she?" The prince smiled and explained to his mother, but as he continued explaining, her face changed gradually from a bright smile to a dull frown. She was disappointed in her son. Despite her love for her son, she cannot give her whole-hearted approval for him to marry the girl of his choice.
Nevertheless, Mary and the prince got married in a colorful wedding that was the talk of the village for several years. The two lived happily, and despite her mother-in-law agreeing to their union, she was still not satisfied. After three years, Mary had not given birth, and her mother-in-law had become suspicious. She was getting older and wanted to see a grandchild. She had called them severally to inquire about the issue, but they had not told her where the problem was. They were not sure whether it was the prince or Mary that had the problem. In her mother-in-law's eyes, Mary was barren, and so she began searching for another wife for her son. "I need to carry my grandchildren and play with them," she would often state. She began mistreating Mary, blaming her for her inability to give birth to a son. Mary became extremely stressed that she could no longer afford to get some sleep.
Then one day, during her nightly meditations, she fell asleep and had a dream that presented an idea in her mind. She dreamt that she had run away deep into the forest in search of her father, for she thought that if her father was around, he would give her hope. Despite the darkness in the forest, she kept going deeper and deeper and suddenly until she felt like she could go no more. She decided to rest, and as she was still lost in thought, she saw a small light coming toward her. As the light came closer, she figured out that it was a small butterfly-like creature that had the face of a human. The creature talked to her, narrating to her all of her problems and promising to take care of them. The fairy creature assured her that she was fertile and could conceive, but the problem lay with her husband. Suddenly, the creature disappeared as she got startled from her sleep. She lay on the bed, thinking about what the fairy creature had told her but could not bring herself to understand that he husband might be the one with the problem.
In that society, infertility among men was never discussed, and in the event that a family failed to get a child, the women would be the first to be blamed. Society would hold a meeting in such a case, and another woman would be chosen to give birth, whereas the fate of the barren woman would be left to the fate of her husband. On the contrary, if the problem was with the husband, the people would talk about it in low tones, and the issue was decided at the family level. If the affected son has a brother, the brother would be told to ensure that his brother's wife conceives. In this case, the queen was very sure that her son could not be impotent and kept blaming Mary for the family's inability to get a child.
Mary sat quietly on her bed, thinking about her next steps, when one of the servants walked in and told her that the queen wanted to see her. May obliged and went to see the queen. When she entered the door, the queen welcomed her half-heartedly and directed her to greet another young, beautiful lady whom the queen introduced as the prince's second wife. Mary was shocked. She felt energy escape her body and felt a sharp pain in her heart. She could not bring herself to the reality that she had been replaced as the queen-to-be. She sat down to digest what the queen had said, and each word the queen said stabbed her heart like a sharp knife. She felt useless, and after getting some energy, she excused herself and went back to her room. She cried her heart out as she thought of what she would do next. She did not eat for the rest of the day as a trail of thoughts ran through her mind. Her fate lay with her husband, whom she undeniably loved. However, he was under his mother's pressure to expel her from the kingdom.
When her husband came back in the evening from touring the kingdom, he went into her room and saw her crying. He comforted her and promised that he would not send her away. However, Mary had had enough and began planning how she would flee to an unknown place. She could not withstand the embarrassment that would follow because, in her thoughts, she would be reduced to a servant. She approached one of the security guards who was friendlier to her, and explained her situation. She requested him to help her escape. She had been given an alternative room where she slept alone, so it would be much easier for her to flee. On the night of the fateful day, she slowly opened the door and crept out. The guard had prepared a rope behind the main house, which was rarely guarded. She managed to scale the wall and jump over to the outside, then disappeared into the forest.
Back in the palace, the new wife took up her role but was high-handed. She mistreated the workers and commanded them like her slaves. No one liked her except for one guard, with whom they seemed to get along well. When the prince was out with the king, she spent a lot of time with the guard, but no one suspected anything between them. Unbeknownst to many, she had fallen in love with th...
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