Cinema and The City course Reflection paper

The City and Cinema as Reflection, Inspiration, and Imagination Student Instructor Institution Course and Code Date The City and Cinema as Reflection, Inspiration, and Imagination Introduction The relation of urbanism to the cinema, as described by Koolhaas, is generated by the phrase: “The city is that image of society that is itself a cultural artifact, a product that then becomes a producer.” The relationship between the two is illustrated in the films World in a City (2016), Skyscraper Symphony (1929), Joker (2019), The Skyscrapers of New York (1906), and Night Raiders (2021), revealing that cities mirror values of societies, and are rich sources of inspiration. These films do not represent cities simply as backdrops as they are constituent aspects of story, visual, and signifying; these movies show how cinema captures and re-stages the dynamics of urban existence. The City as a Reflection of Society World in a City is a short documentary by Brett Story in 2016 to capture the diverse city identity of Toronto. As the film specializes in immigration and demonstrates how immigrants build new lives in New York, it also depicts how cities embody values that citizens of the world, such as equality and multiculturalism. The story establishes the undertow of neighborhoods saturated with languages, food focuses, and immigration cultures, thus building the city of its immigrants and immigrants’ city. Regarding the goals and concerns of the society, language programs, cultural celebrations, and markets are very effective in narrating the story of a society that aims at building a dream world of an integrated society. The narrative that is closest to this movie is the warm observational camera that accentuates belonging to an organism called a city at the hands of its inhabitants. Link: https://www.nfb.ca/film/world_in_a_city/?utm The City as Inspiration for Filmmakers In Robert Florey’s 1929 avant-garde short Skyscraper Symphony, New York City’s skyline of Skyscrapers is the protagonist. These shots were recorded during the years of active construction of new buildings and architectural innovations; thus, Florey captures the appropriate amazement of contemporary skyscrapers. Through the dynamic of the camera with bits of high angles, accurate montage, and smooth motion picture, the filmmaker manages to orchestrate the city's civilization into lines, figures, and silhouettes of rhythmical progress. This silent piece is a worthy example of an artistic portrayal of modernity and the avant-gardism of how the city ...