ASIA 2512: Explorations of Japanese Animation
How do you analyze and interpret the depiction of techno-human relations in Patlabor 2 and Akira? In chapter 2 of Interpreting Anime Bolton quotes Oshii Mamoru, the director of Patlabor 2, who
commented during the making of the first Patlabor film:
I saw Akira before I started on the storyboards for this movie [Patlabor], and it got me thinking in lots of ways. It’s saying, in a hysterical way, “Tokyo be damned! Burn it all, men and mecha alike!” . . . Akira represents a type of death wish, a primal scream. . . . But I was thinking, there must be some other way of depicting that.
This statement suggests some points of thematic connection between these two films, but a divergence in how certain themes and ideas are depicted. For our purposes in this Response Writing, let’s zero in on how each film takes up the theme of humans’ relations with technology. Take that as a starting point.
Then consider the following comments Oshii made about what he wanted to depict in Patlabor 2:
I didn’t want to give the impression of humans confronting humans, but more of humans facing a monitor. I wanted the idea of ‘interface’ to permeate the overall composition of the film. The film is about people who look at monitors and the information on them. . . .
I wanted to put across the situation from the cockpit of a vehicle, seeing the town from a moving point of view. And what the people are thinking about from that viewpoint.
Oshii’s engagement with technology in Patlabor 2, especially technologies intended to augment our senses and experience in the world, is subtler and more nuanced than Otomo’s “primal scream” in Akira. And yet both share a common critical impulse to put techno-human relations into question.
With the above thoughts in mind and with some well-chosen, concrete examples from the films, analyze how human-tech relations are depicted in each (paying attention to form and content) and offer an interpretation of what each film seems to be saying about human-tech relations through the examples you take up. A comparative angle between the films will most likely present itself naturally without having to set up your response as explicitly comparative. Aim to focus more on Patlabor 2; it strikes me as the richer of the two films to think about.
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