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Bible Assignment

Coursework Instructions:
Please your answers should be in paragraph form and in your own words unless you are quoting “Interpreting the Bible” by Sumney, the Bible, or me. You should be able to answer each question with a well-constructed paragraph. Questions: How do the Dead Sea Scrolls and the Septuagint inform our understanding of the Bible's development? Why does the Hebrew Bible (Masoretic Text) have a different sequence than the Old Testament (Septuagint)? Which does Prof. Smith prefer? What is the goal of textual criticism? Why is it necessary? In your own words, explain two basic ways to think about biblical inspiration. How might the literary structure of Genesis 1 contribute to discussions about creation and the age of the earth? Discuss one motif (or theme) that runs through the ancestor narratives and into Exodus (about Genesis 12 through Exodus 15). (There is more than one possible answer to this question.) Describe the (false) dichotomy Smith used to consider the relationship of truth and fiction to historical accuracy. Describe the kind of regulations contained in the "Book of the Covenant" (in Exodus). What are some of the central concerns of the book of Leviticus? What is the relationship of Deuteronomy to the Deuteronomistic History? Why does the book of Joshua tell the stories of Israel's conquest of Canaan the way it does? How does Judges 6:25–32 inform our understanding of ancient Israelite religious practice? Prof. Smith thinks 2 Samuel 21–24 provide a "literary picture" of David's life; how so? What is the risk of reading the prophets (especially Isaiah) only in light of Jesus and the New Testament? The "Food for Life" company produces Ezekiel 4:9 bread, and sells it as health food. Why is this ironic? Please try to get this to me by 11:59 today, and thank you so much
Coursework Sample Content Preview:
Name Instructor Name Course Due Date Bible Assignment The Dead Sea Scrolls and the Septuagint give us vital information about how the Bible came through early textual variants. Fragments of Hebrew scriptures from the mid-20th century, the Dead Sea Scrolls reveal differences in wording and order of the text as it existed in its earliest stages, before the Masoretic text, proving the fluid state of the biblical text in its beginnings. Outside of Palestine, Jewish textual traditions were preserved in the Septuagint, a Greek translation of the Hebrew Bible completed in about the 3rd–2nd centuries BCE that includes alternative readings and a different book order. These sources aim to point out how the biblical text changed over time. Thus, there was no such thing as the scriptures' single, fixed version in antiquity. The Old Testament differs in the order of books from the Hebrew Bible (the Masoretic Text). Masoretic Text also has a tripartite division: The Torah, the Nevi'im, and the Ketuvim, which end with books such as Chronicles. The Septuagint, which became the basis for the Christian Old Testament, arranges the books thematically, placing historical books before prophetic ones, and often includes additional writings not found in the Hebrew canon. Prof. Smith prefers the sequence of the Hebrew Bible because it reflects the structure and theological emphases of ancient Jewish tradition rather than later Christian adaptations. Textual criticism aims to reconstruct the most accurate version of biblical texts by analyzing manuscript variations. This process is necessary because no original copies of biblical books exist, and scribes who copied texts over centuries introduced errors and changes. Textual critics compare ancient manuscripts, such as the Dead Sea Scrolls, the Septuagint, and the Masoretic Text, to determine which readings are most likely original. Without textual criticism, readers would be unaware of the complex history of biblical transmission and how minor or significant differences in wording can affect interpretation. There are two main ways to think about biblical inspiration. One perspective, often called verbal inspiration, holds that God directly dictated the words of scripture, making it inerrant and unchangeable. Another view, known as dynamic inspiration, suggests that God inspired human authors, who wrote within their historical and cultural contexts, allowing for human expression and limitations. These perspectives influence how people interpret biblical authority, whether as a divinely perfect text or a work shaped by divine influence and human agency. Discussion about creation and the age of the earth is supported by the literary structure of Genesis 1, which has poetic symmetry and organization. The passage's structure is a pattern of six days of creation corresponding to a later day (e.g., light on Day 1, like celestial bodies on Day 4). This structure implies that Genesis 1 is not a scientific account but a theological story...
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