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Justification for interpretation of Ovid's pygmalion through the lense of the Gibson girl
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It is a justification for my interpretation of Ovid's pygmalion through the lense of the Gibson girl. my version is as follows:
Pygmalion, to be
Gibson, in an instant, saw these thousands charge before his eyes. He watched these women, each a performing imperfection.
But there his model now stood, like tinted ivory, statically aspiring to a falsehood. He wept at the myriad of faults that he perceived to assail his eyes. His mind retreated to his art, beginning to draw it, chiselling her in ink. He saw her breath condense into the page, as the ink diffused. Each curve, of the nib, inspired by his genius, until no woman, as had ever walked on Terra’s bosom, could be seen in the page. In its face was trapped the likeness of thousands and its body the shadow of Helen.
He decked it in a thousand threads, each reflecting his disputation.
It was a mother, student and scandalous lover. He gave it swan bill corsets, Tyrian skirts and Cyprian blouses. He placed in it a menagerie of hearts.
The criminal vice of modern woman, had made him despair, but in his creation he took solace. His Euphoria ran high to the eyes of Venus who, in abeyance, breathed inspiration, not to Gibson’s ink, but to the living flesh.
She entrapped a generation, consuming the thousands of girls in America, each yielding to Gibson’s design. Thus did Gibson’s girl come alive, through imitation. In a trance did they persist ‘til the fog of Mars came and shattered the world in total.
Can the bibliography be in chicago style, and all references placed in the footnotes
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Justification for Interpretation of Ovid’s Pygmalion through the Lens of the Gibson Girl
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Justification for Interpretation of Ovid’s Pygmalion through the Lens of the Gibson Girl
Ovid's Pygmalion, a tale of artistic obsession and idealized beauty, finds a compelling modern echo in the figure of the Gibson Girl. The interpretation – entitled “Gibson” – takes this character to the turn of the century when a new artist finds living women imperfect in contrast to his art. Wanting the perfect beauty, he makes an image that is something more than real, modeled on the Gibson Girl’s idealized form. This perspective examines how the anxiety of the perfect woman, the power of the media, and the fleeting nature of fashion affect society. By viewing the myth through the lens of this powerful cultural icon, we expose the extent to which art reflects and constructs, as well as the power of idealized images, which have increasingly entrapped a generation.[Rato, Rui. 2016. "Love, Desire and Transformation : From Ovid to Thomas Harris." Via Panorâmica (5): 64-71.]
The Gibson Girl as a Symbol of Idealized Perfection
The idealized perfection portrayed in Ovid’s Pygmalion is closely associated with Gibson Girl. In the story of Pygmalion by Ovid, the character Pygmalion gets tired of women because of their flaws and sculpts a woman who is so beautiful he falls for it. In this act, we see a great human desire for an impossible perfection and to overcome what is thus imperfect. Likewise, the Gibson Girl created through Charles Dana Gibson’s illustrations at the turn of the twentieth century epitomized the ideal American woman. Tall, elegant, and possessing a refined beauty. Women started getting measured against her during her lifetime and she became a cultural icon. The Gibson Girl like the statue of Pygmalion is an emblem of idealized womanhood, which is a cultural ideal, a beauty norm, and a behavior that is cast upon one’s society.[Desmarais, Jane, and David Weir, eds. 2019. Decadence and Literature (103).]
For justification, one has to reimagine Pygmalion as “Gibson” to outline the connection between the two that becomes immediately apparent. Like his mythological counterpart, Gibson creates an ideal image, a woman with the ultimate beauty of femininity. Gibson Girl becomes like Pygmalion’s statue, a wish-fulfillment image that transcends the logic of realism; a point of social attainment. Also, like Pygmalion, Gibson creates an idealized image, not of a statue, but a figure imagined as the ultimate woman. The two tales examine the easy inclination of human beings to expect perfection whether the sculptor’s chisel or illustrator’s pencil. Also, the risk of investing too much in the ideal. This also illustrates how humans are always trying to get to something that is never achievable or always out of reach.[Rato, Rui. 2016.]
The Critique of Societal Expectations and Imperfection
A personal reimagining of Pygmalion as “Gibson” powerfully reveals the necessary critique of social expectations inherent in the myth. As Gibson states, there are “a multitude of faults” in women he encounters and that might be a flaw as it could be human nature to avoid the complexities of life and find perfection in art. This act, however, is not a mere aesthetic pursuit. It means that it is the concrete manifestation of deep anxieties about the “criminal vice of the modern woman”. The other is a different notion that is encapsulated in the modern woman. Focusing on the idealized Gibson Girl shows us that idealized images can also create feelings of inadequacy, although they are celebrated. As a result, what is portrayed as an aspirational model becomes a means of enforcing sameness which c...
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