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Research Paper
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Writing Project FINAL: Interview with an Immigrant
Research Paper Instructions:
This final writing project for this course fulfills all objectives for ENGL 2020:
-Explore how literature reflects, informs, and shapes both personal and collective experience.
- Articulate cogent responses to literature that demonstrate cultural awareness and understanding.
Reflect on how reading, writing, and interpreting literature initiates and contributes to cultural and social conversations.
- Examine how the production and interpretation of literature is shaped by historical, social, and cultural contexts.
Analyze how literature from different cultures, movements, and time periods employ narrative and stylistic strategies to convey complex ideas and meanings.
- Compose projects (written, digital, or audio) that utilize critical thinking, analysis, and research to situate literature within diverse cultural and conceptual frameworks.
- Identify connections between literature and values, experiences, and practices of multiple cultures.
-Develop an approach to reading, writing, and interpretation that demonstrates an understanding of human experience from multiple cultural vantage points.
OVERVIEW
For this final project of the semester, we will reach beyond the classroom to explore the relationship between books and lived experience by conducting an interview and discussing the results. You will be required to interview an immigrant woman based on questions that interest you, and then compare the responses you receive to one or more of the women you have read about this semester in novels and memoirs. Through this experience, you will see in more depth the relationship between literature and less formal self-presentations (oral or written). You will perhaps uncover more direct emotional responses, less organized thoughts, and/or new ideas that emerge without the distance and careful processing through structured and polished writing for publication. You will then provide a commentary on what you observe and a written reflection on your experience.
THE INTERVIEW
To select a subject to interview, carefully consider whom you might most easily approach and how best to proceed. Selecting someone you know personally (family member, friend) or professionally (a coworker, a fellow student, someone you know from a club or place of worship, a past teacher) is ideal. The more distant your acquaintance, the more care you will want to take in when and how to approach them. Use respect and be professional. Avoid scenarios such asking a random restaurant server with an unfamiliar accent or woman checking out your groceries, “Hey, are you from another country? Can I interview you for my English class?”
For this online course, an email exchange will work well, in which you pose questions, the interviewee writes their answers, and then you follow up with any additional queries or requests for information. This material can then be cut and pasted into a document which you will be required to submit for credit. If you conduct an in-person or oral interview (by phone or Zoom), you will need to transcribe the interview and submit it for credit. Whatever the format, your written transcript should be at least 700 words. This likely means at least four questions (assuming you get detailed responses from your interviewee) or more if the answers are short. This is why you should let the interviewee in an email exchange know you may ask follow-up questions to get additional details.
*USE THIS OPTION BELOW*
If you ultimately do not succeed in finding someone to interview, you may select an interview with an immigrant woman available at the Archive of Immigrant Voices
(https://archiveofimmigrantvoices(dot)omeka(dot)net/),
a collection of interviews conducted by students at the University of Maryland from 2012 to the present day. Each interview there includes a photo, an audio file, and a written transcription of the interview. Note: While using one of these interviews means you do not have to transcribe (type out a recorded interview you conducted in person or cut and paste an email interview), the questions will not be your own. Thus, you may need to read more than one interview from the Archive that best meets your needs for this assignment. Instead of submitting a written transcript with your project, you will identify the individual interviewee you worked with, including the interviewees name and the URL. Appropriate URLs will look like this one for Bebe Lila Spooner Melville, born in Guyana:
https://archiveofimmigrantvoices(dot)omeka(dot)net/items/show/79.
INTERVIEW QUESTIONS
If you conduct your own interview, you get to decide what to ask and how. You want to include the basics (name, birthdate, birth nation, date, and reason for immigrating to the US) and then questions that come to you from the books we have read. These can include the interviewee’s family, education, work experience, religious beliefs, personal or political perspective on the US, how they define the American Dream. You can also ask questions about when and whether they have returned to their home country (or even consider it their “home” country vs. nation of birth) and how they feel about it. Think about what experiences, thoughts, and feelings the authors and/or their immigrant characters share, and base some questions on them. The more the interviewee’s answers interest you, the stronger the interview will be. Caution: Beware probing into deeply personal material unless the interviewee brings it up first. Again, be caring but professional. Also, if you work with a family member or close friend, pretend you do not know them for the sake of the interview. Include basic background information and ask questions you may already know the answers to.
FORMAT
Interviews should be single spaced with blank lines between your questions and comments and the interviewee’s answers. Use your first name or initials and the interviewee’s first name, first and last name, or initials followed by a colon, then the content. Visit the Archive of Immigrant Voices for some samples.
COMMENTARY
Once you have completed your interview, bring it into consideration/comparison with several of the immigrants we have read about in class. Consider how your interviewee’s story compares with the life details, experiences, and perspectives we read in two or more of the novels or memoirs for this course. What do they share? What is different? How has the interview enhanced your understanding of women immigrants (and the American Dream)?
Also consider the differences in styles of expression and detail. What did you observe and learn about the differences between formal, published writing and an interview with a living person? Did this help you to appreciate the art and skill of creative writing (memoir or novel)? Did it bring up any concerns about putting lived experience into book form?
For this element, write at least 500 precise, vivid words. Organize purposefully and clearly explain and illustrate all points you make and conclusions you draw.
REFLECTION
For the final section of this project, write about the meaning and value of this experience to you. Here are a few prompts to help you think through what you want to write:
Why, in your opinion, is it important to talk to individuals in addition to reading literature to learn about the immigrant experience of women or other topics?
Have you learned anything about your own thoughts (or experiences) related to the immigrant experience and/or the American Dream?
How might you use what you have learned beyond this course?
Whatever you choose to write, dig deeply to avoid superficial, generalized, or generic responses. Avoid trying to please your professor; instead, think hard and share what you truly think.
For this element, write at least 250 precise, vivid, well-organized words.
SUBMITTING YOUR PROJECT
When you have completed all three elements (interview, commentary, and reflection), put them together in one document, with page breaks between the elements. Single space the interview (with line breaks between questions and responses) and double space the commentary and reflection section.
EVALUATION
Paper will be evaluated based on the following elements:
Length: Meets minimums for Interview (700 words), Commentary (500 words), and Reflection (250 words).
Content: Interview asks appropriate questions to attain relevant, detailed information; Commentary offers detailed comparison showing the student is familiar with the details of multiple assigned books and draws logical, productive conclusions; Reflection offers genuine insights based on careful self-analysis.
Expression: Clear, precise, vivid, logical.
Mechanics: All writing is carefully edited and proofread for grammatical errors and typos.
*Writing Project Final is due M December 8th, 2025 by 11:59pm.
Research Paper Sample Content Preview:
Student
Tutor
Course
Date
Writing Project FINAL: Interview with an Immigrant
The Interview (Transcription)
Interviewee: Argentina McCarthy (AM), born in David, Panama.
Interviewer: Caleb McClatchey (CM).
Source: Archive of Immigrant Voices, Interview with Argentina McCarthy (Item #125).
URL: https://archiveofimmigrantvoices.omeka.net/items/show/125
A Panama native, Argentina McCarthy came to the U.S. at age 18 in 1969. She was compelled by her mother to leave for school, leaving poverty and political upheaval behind. She found it difficult when she started, with the language a primary problem and making ends meet becoming challenging. Still, Argentina survived, going from stay-at-home parent to a successful high school Spanish teacher. In essence, she reimagined her culture, which was once a liability, into an advantage. For her, the American Dream is “when you can live in stability and have opportunity for your next generation." Today, she has a complicated identity as she refers to herself as having the U.S. as her physical home and Panama as her emotional home.
The Commentary
The story of Argentina McCarthy, a Panamanian immigrant who came in 1969, provides an appealing real-life parallel and contrast to American literary accounts of the immigrant experience. Particularly, the responses give perspectives into tales told in intergenerational sagas such as Amy Tan’s The Joy Luck Club and political memoirs like Marjane Satrapi’s Persepolis. Comparing Argentina’s narrative with such published works, in turn, adds to the American immigrant experience and calls attention to variation in motivation or struggle and subsequent defining success.
Argentina's mother hails from Panama, so the theme of poverty and political turmoil there in the early twentieth century threads through Argentina's memoir. She is also indulged in a larger cultural push for education that is repeated in The Joy Luck Club. Just like Suyuan Woo and Lindo Jong, Argentina did not immigrate out of a sudden, self-determination decision, but out of obligation and hardship. The moms in Tan’s novel are forever repressing past (war, abandonment, poverty) traumas so their daughters can have the uninhibited American future. Argentina too endured initial poverty and the linguistic shock of arriving at 18. Still, it was a sacrifice she made for the greater long-term good that, her mother said, it would bring. The common thread here is the intergenerational responsibility for securing a better life, in which the immigrant mother or early settler regards herself as successful not if she is happy but if her children live in safety and a sense of prosperity.
However, Argentina's storyline shows some difference in both the texts. The mothers in The Joy Luck Club, unlike Argentina, often remain mute, unable to relate to their American-born children. This displeases the children, as the mothers' silence and inability to say anything are not helpful. In contrast, Argentina took a different route, whic...
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