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World Music Final Paper. Growth of the Korean Hip Hop

Research Paper Instructions:

Don’t use broad sentences, be interested and specific. Cite more than 3 sources, Thank you

This is an opportunity for you to write an ethnographic paper that takes a critical look at global artists, music genres, and/or fandom. Your research must include fieldwork, e.g., interviews with musicians and their fans, or draw from current periodical literature. In this paper, you must put the musical practices you write about in the context of the history and the issues that we have covered in this course. Those issues include globalization, nationalism, cultural appropriation, cosmopolitanism, musical protest, cultural authenticity, and politics of identity (race/ethnicity, nationality, diaspora, class, gender/sexuality, age, and more). 

You must reference substantially at least 3 ACADEMIC SOURCES, which include at least ONE source from the course reading. For academic sources, start with jstor or project muse, or books published by university presses from the Main/Music Library. You may use additional online media such as YouTube, Rolling Stone, and any other sources of world music culture you can think of - these can be part of the additional sources needed as well as citing information presented in lectures and discussion sections if you find it pertinent to your paper, however, these additional sources will not count as academic sources. 

You must include a References list (Bibliography) at the end of your paper. Your paper must have a clear topic and thesis statement. Your paper must contain descriptive, cultural, historical detail. Your paper must also contain cogent, thoughtful analysis. If you choose to write about music or musicians that are covered specifically in the lectures, readings or sections, you must be sure to go beyond the details presented in the course. Make sure to give your paper a sensible title, keep your writing focused, support yourself with examples, and communicate your ideas clearly and effectively. Writing essentials like spelling, grammar, organization and style are of utmost importance. 

 Length: 1500 words double spaced (not including the title nor the References Cited list) 

 References: One course material, two academic sources 

****Please save the paper as a Word document (not as a .pdf or in Pages)!  

Research Paper Sample Content Preview:

GROWTH OF THE KOREAN HIP HOP
Student Name
Course
Instructor
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Growth of the Korean Hip Hop
Music provides the society with a form of entertainment and a platform they are able to use to let themselves loose from the hustles and bustles of their everyday lives. Across the various musical genres musicians have been able to capture the desires and wishes of almost all the people in the society. Musicians have been able to use music to express various social issues and also to highlight the current trends happening around the world. Musical fandom has become a major aspect of the industry with very passionate fans who relate to each and every song from their favorite musicians. Fandom has further resulted in the growth and evolution of the different genres in countries and continents that were before very conservative. South Korea is a perfect example of a country that has over the years embraced the “widely considered” hip hop genre in their music scene. Korean hip hop otherwise known as K-Pop has proven a sensation especially for the millennials who consider it very trendy and fashionable and hence use it to express themselves. The research paper therefore will examine the Korean hip hop in a descriptive, cultural and historical context with focus on issues such globalization, nationalism, cultural appropriation, cosmopolitanism, musical protest, cultural authenticity and politics of identity.
History of the Korean music industry and the growth of the Korean hip hop
The Koreans are one of the most conservative communities in the world who has always kept to their traditional and cultural ways of life which included their traditional songs. Hare and Baker in recognition of the Korean folk songs note in their article “Korea’s folk music tradition, with its generous use of bright rhythms and melodies, offers a more energetic and capricious contrast to the nation’s collection of classical music works”. However, in the late eighties which also marked the end of the authoritarian military rule in Korea, there was an evolution of the music scene with the adoption of the western hip hop genre. The 1988 Seoul Olympics is also attributed to have been at the forefront in the spread of music styles including rap, rhythm, and blues among the people of Korea. The period also had youthful individuals who in addition to the political freedom they were experiencing, felt the need to spend and show their economic status. Hare and Baker share on the same in their article “During this period of rapid globalization, Korean youth were led toward the enjoyment, adaptation, and imitation of emerging global trends in their own popular culture”.[Hare, Sarah, and Andrea Baker. "Keepin’ It Real: Authenticity, Commercialization, And The Media In Korean Hip Hop." SAGE Open 7.2 (2017), pp 2] [Hare, Sarah, and Andrea Baker]
It was however during the turn of the millennium and majorly from the evolution of the internet that Korean hip hop mainly gained popularity. Korean millennials with easy and faster access to the hip hop industry in other countries across the world imitated and incorporated the trends into the Korean hip hop scene. In addition to rapping, the Korean hip hop artists then incorporated rhyming into the songs; a feat that was previously considered very difficult because of the structural composition of the Korean language. The move appealed to even more fans with notable hip groups such as “Drunken Tiger” starting to realize the commercial benefits from their hip hop songs. Other hip hop artists including Verbal Jint and Epik High also gained mainstream popularity with recording labels Seo Taji Boys and YG entertainment being at the center in the growth of the Korean hip hop. Television shows and reality series including the notable “Show me the money” TV show also developed. Gyu-Tag mentions “The show which features both underground and mainstream rappers is credited with increasing the popularity of hip hop in Korea”. The highlight of the Korean hip hop industry, however, was when the first hip hop awards were held in 2017 and which recognized the efforts and strides that have been taken by the various players in the industry through the years.[Lee, Gyu-Tag. "Between Globality And Locality:Emerging Korean Hip-Hop." The Journal of Korean Studies null.36 (2011): 59-84: 62]
Globalization on the growth of the Korean hip hop
The hip hop musical genre originated from the United States in the 1970’s and is mostly associated with the black African Americans and Latinos. Some people have even described it as black music. However, and as a result of the internet and individual freedom, the world has been opened up into a global village where people share and copy various behaviors and attributes they consider trendy and fashionable including musical genres such as hip hop. Gyu-Tag shares on the same and notes “Korea has been isolated for a long time, but with access to the internet, it got bombarded with all sorts of cultures such as hip hop, the coolest culture in the world”. Over the years, the Korean hip hop artists have tried to incorporate more of the Korean culture and beliefs into their music but there still exists a lot of comparison with the American hip hop. For instance, initially the Korean hip scene had only embraced rapping in their songs but since then they have incorporated the other key elements of the hip...
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