Don Valley On A Grey Day By William Research Paper

    DON VALLEY ON A GRAY BY WILLIAM KURELEK                   Name Class Date     It is impossible to enlist well celebrated Canadian artist without mentioning William Kurelek. Born in Alberta in 1972, Kurelek grew to be one of the most significant artists in Canadian history. The love and attention that Kurelek attracted from his audience are attributed to a series of artworks, developed as early as in the 1960s. Kurelek’s lifetime works include several books, paintings and drawings developed throughout Europe, specifically Canada, England and the United States. Kurelek is not merely remembered for his artistic works, but the unique aspects that he portrayed in his art, most of which ground from his life experiences. Kurelek earned mastery in art, literature, and psychology among several other subjects. Religion is one of the popular subject and lesson that Kurelek communicated in his works. Kurelek appreciated religion as the framework of society. Kurelek is also appreciated for emerging victorious after a long and painful battle with his childhood and youth life. On completion of his degree in Arts, Kurelek developed serious mental problems. The battle against mental challenges did not just leave Kurelek with a bruise, but instead with newly acquired strengths. Through painting, Kurelek developed a purpose in life, strengthened with close interactions with religion in the course of receiving mental health therapy. Through hard work and self-discipline, Kurelek managed to communicate his life experiences through artworks like Don Valley on a Grey Day dated the year 1972. Visuals are essential aspects of art. It is shown that Kurelek derives visual attributes from already existing films, theatricals, and photographs. This analysis aims to outline how Kurelek obtained inspiration from already existing works to attain visual objectives as portrayed in the painting, Don Valley on a Grey Day. The Don Valley on a Grey Day art piece represents a photographic inspiration, which characterizes most of Kurelek’s work. Being one of Kurelek’s best works, the Don Valley on a Grey Day is inspired by the 401 Towards London No. 1, 1968 to 1969 developed by Jack Chambers. During his lifetime, Kurelek expressed serious liking and inspiration drawn from films like the Portrait of 1948 and the Odd Man Out of 1974. The two films represent the importance of art in defining and shaping morality within the society. As part of the target audience, Kurelek may arguably gain and put into practice the lessons learned about using art to influence the manner in which members of the society interact and behave on moral grounds. The Don Valley on a Grey Day represents a photographic depiction of what Kurelek had long observed in the society and other artistic works. Just like in previous paintings, the artist featured several images, some of which were recorded in the mind of the artist. While receiving mental health treatment in Europe, Kurelek learned and observed from the works of prolific and legendary artists like Van Gogh. However, when he got back to Canada, Kurelek was not lucky enough to engage in actual art because of his psychological problems. However, he had the opportunity to work closely with other artists through activities like framing. Kurelek is said to rely heavily on his photographic memory to store images that latter featured in his works. The camera was an important photographic aid for Kurelek’s workings. Arguably, his mental problems undermined his ability to vividly retrieve memories in the past. Hence, Kurelek viewed the camera as an assistive tool in creating photography-based artworks like the Don Valley on a Grey Day. Through camera recordings, the author can remember most of the details and eliminate the likelihood of making severe mistakes in image details. Kurelek is also said to remember details based on the hints and memory strikes from previous camera-based images. Based on literature analysis of Kurelek’s works, it is shown that the author was able to remember childhood memories because of relevant images obtained in the course of making his paintings. Authenticity is a very import attribute of art. According to Kurelek, to maintain the authenticity of his work, he developed the urgency of maintaining the photographic recording on location time and other essential details. Most of Kurelek’s work has remained relevant and important through history. The availability of such record provides the pictures with historical relevance. Upon the death of Kurelek, photos both static and in motion were obtained. A close relationship has been established between the author, the photographs and the images painted by the artist. The Don Valley on a Grey Day is based on the agrarian landscape. Historical information on the painting, especially on locality can be accessed from accompanying photographs. Kurelek aimed at using individual works to create a long-lasting and historically incepted creation of memories. The mastery of his art is marked by proper communication to the target audience, which entails provoking emotional understanding. Kurelek hints that memories are the surest ways of communicating to the audience historical happenings. In the piece of art, Don Valley on a Grey Day, the author includes day to day activities that do not necessarily imply a notable activity. The artist shows a police officer working on a traffic scene. Apparently, such memories are likely to be bashed if not preserved through photographic or other visual means. Kurelek is better described as a visual storyteller. Through random images that ground from the past and the present, the artists communicate to an audience. The long-run objective of ensuring that the ...