Art and Music since 1945: Schindler’s List
Above 93/100
Please send it to me before the due date and then I will submit it at least half an hour in advance
Film Worksheet
Art Education 1600
Art and Music since 1945
For this assignment, you are to see a film this semester and fill out your worksheet. Use the skills you learned for the Art Worksheet, but now you have to analyze the combination of sound and moving images.
Step 1 Select a Film
Selecting a film to watch is more than picking a movie with favorite actors or a genre you like (science fiction, superheroes, detective mysteries, romance). The film you pick should have enough interesting content to write about. It helps to inform yourself with two kinds of film reviews. First, professional critics have seen many movies and write from a well-informed point of view, but theirs is just one point of view. Beyond the perspective of Professional critic, there are the reviews from moviegoers, like yourselves, who post their responses on blogs and theater websites. Viewer reviews can be just as valid as professional reviews, so long as they explain why they feel the way they do about a film. Both kinds of reviews can help you narrow your choice of a film, and in the end, pick a film you feel like writing about.
11 pts: State the title of the film you chose and a write brief synopsis of the film in your words (90 to 100 words):
Citations and References
If you decide you use ideas from the film reviews or any source, write the name of the source here AND Cite the source(s) where you use them:
REMEMBER
1. You must view the film for this worksheet this semester. As film theaters may have closed or are operating in limited capacity, because of COVID restrictions, you may opt to see a film online. Any fairly recent film will do, or you may opt to see a classic film made in 1945 or later.
2. Connect your review of the film with the cultural and social ideas we address in class. How do you think audiences relate the narrative on screen with other narratives in the press or entertainment media? Superheroes, for example, save the day when complicated agencies of government and military fail.
3. Look over the Film Worksheet before you watch the film, so you know what to look for.
Late Paper Policy:
You will lose points for assignments turned in late after the final deadline.
1 day late: 20%
2 days late: -40%
3 days late: -60%
4 days late: -80%
Step 2 Organize your data
This step is about your experience of viewing the film and how the director kept you engaged.
Step2.1: The audience and the space, and you
Your experience as a movie viewer is as important as the film itself.
State where you saw the film.
Analyze and describe the environmental conditions and how your circumstances affected your perception of the film.
25 pts: Type your response below in at least 200 words:
Step 2.2 The director and you
An important part of film critique is how the director holds the audience’s attention
In the classic film Pulp Fiction, the director manipulates the pace of the film, switching between 1) scenes where two characters have a long conversation and the camera is still and 2) lots of action fast camera work. When the film slows down you become aware of how long even one minute can seem, but when the pace picks up, time is compressed and you don’t notice the minutes passing.
All the effects and drama of the film play with your attention span (and your imagination) to help you forget where you are. Every piece of equipment from the huge screen, to the sound system supports the director’s attempts to take you into their world. This is one of the reasons we require you to attend a theater.
So, how do you think the director pulled you into the world of the film you viewed? Were there surprises that kept your attention? Were effects overstated? Were they tiresome or ridiculous?
25 pts: Type your response below in at least 200 words:
Step 2.3 Analyze the film technically
To help you pick out aspects of the film that you can analyze, read the following list and include the vocabulary and examples from the film in your responses. Pick at least two aspects from each category (i.e., Literary, Dramatic, and Cinematic). Scroll down to write your response.
Pick two Narrative aspects
* Narrative (the story, story line, what the storyline is based on; binary oppositions; disruption of an equilibrium and how a new equilibrium sets in).
* Characters (heroes, villains, helpers, main characters, supporting characters, and how characters function and contribute to our understanding of the story).
* Setting (physical environment in which filming occurs, indoor or outdoor setting, its significance).
* Plot
Pick two Production Design aspects
* Acting (the performance of actors, whether it is convincing or not).
* Costumes (formal clothes, informal clothes, their color, and their contribution to the film).
* Make-up (style, color, whether it is exaggerated or plain, the effect it creates, colors).
Pick two Cinematic aspects
* Camera angles, movements, and positions (low camera angle, high camera angle, close-up, extreme close-up, tilted camera, and how these affect our understanding).
* Sound and vision (sound effects, soundtrack music, visual effects).
* Lighting (illumination in a scene. Soft light harsh light and shadow, colors manipulated? ).
Respond below:
1. Narrative Aspects – Type your response here in at least 100 words (5 pts)
2. Production Design Aspects – Type your response here in at least 100 words (5 pts)
3. Cinematic Aspects – Type your response here in at least 100 words (5 pts)
Step 3. Analyze the film
In this step, you will interpret the film and tell the significance of it, along with how you would describe its audience.
Choose THREE of these questions to answer, which best fit your analysis so far.
24 pts: Enter responses after each question, below, each response in at least 200 words. Include examples from step 2.3.
1. Who is telling the story? Why is it being told? Does it appear to have a purpose? In Jurassic Park, for example, we see the film through the eyes of children as they watch adults face consequences and lose control of prehistoric animals. Other films may have a narrator, whose words tie sections of the film together.
(media agencies, authorial voice, influences from marketing, economics, ideology)
2. Who is likely to view this film, why? Does it have an audience following and what are they like? (i.e., Trekies that follow Star Trek)
3. What genre? What genre does this film fit into, and what makes you say that? A 'genre' refers to clearly understood type of film, such as a 'western,' a 'romantic comedy,' a 'horror,' or a 'science fiction' film (note that some films overlap and combine genres--for example, Alien can be said to be both a science fiction and a horror film). What aspects of the film tell you that it fits into a genre or genres (the narrative, the character types, the production design, the visual language)?
4. How is it made? What film technologies are used? is the film a one-time story or part of a sequence of films?
5. How does it convey meaning? Film language is broader than the convention of written literature. Look for codes and conventions, content "between the lines." Are there symbols we see throughout, but are never put into words? Body language? Other visuals or sounds other than words?
6. How does it represent its subject - especially with reference to a time period? Do you recognize stereotypes, familiar or strange representations of the past? Does it ridicule or glorify a stereotype? Are characters exaggerated? Diminished?
RUBRIC
Step 1. 11 POINTS:
States the title of the film
Step 2.1. 25 POINTS:
tells how the audience influenced viewing the film
Tells how conditions in the theater influenced viewing the film
Meets minimum word count requirement
Step 2.2. 25 POINTS:
Tells how the film kept them engaged, or not
Includes dramatic (acting, script, etc.) and technical aspects (camera work, music, and other elements of film production)
Meets minimum word count requirement
Step 2.3. 15 POINTS
Discusses at least 2 aspects from each category (Literary, Dramatic, Cinematic)
Meets minimum word count requirements
Step 3. 24 POINTS
Meets minimum word count requirement
Uses evidence from Previous steps (2.1, 2.2, 2.3)
Professor’s Name
Subject
Date
Film since 1945 Analysis: Schindler’s List
Close-ups of unknown hands lighting candles are seen at the beginning of Schindler's List, followed by the sound of a Hebrew prayer. A feeling of the enormous number of Jews arriving in Kraków is given by close-up pictures of names being put into lists. Schindler serves expensive food and wine to a big group of Nazis and their allies (“Schindler’s List (1993)”). When Schindler first meets Itzhak Stern, his accountant, he learns he needs investors to purchase an enamelware plant. Schindler decides to compensate them with goods rather than money because Jews are not allowed to own businesses.
By hiring Jewish employees, Stern prevents their deportation to concentration camps. Schindler is portrayed in the movie as he stands on a hill above Kraków while the city's ghetto is being destroyed. His girlfriend begs him to return home when he notices a young child in a red coat strolling through the devastation. With this choice, he starts aggressively rescuing Jews.
2.1: The Audience
The film is strong and painful. Even though I knew the movie was about the Holocaust, I was unprepared for how genuine it seemed. It provided me with an in-depth understanding of that dreadful and horrific time in history since you could sense the misery, terror, and overwhelming anguish of the Jewish people. The hardest part was when the children were all removed from their parents; I had difficulty controlling my tears after seeing that sight.
It is probably one of the only films I have ever watched that can make me cry and punch me in the gut with its intensity. It would have been so simple to shoot it in color, but Spielberg gave the film a lovely touch by using black and white; it made it more dramatic and appropriate for the era. Schindler’ List goes down as one of the best films ever produced.
I streamed the film alone in my room. The lonely environment made me synthesize and appreciate what a good director Spielberg is and the gravity of the movie. The movie cemented my take that humanity is greater than the division we try to display. Whether an individual is white or black, Caucasian or Asian, Jew or German, we are all human beings and must treat each other with respect.
2.2: The Director.
Throughout Schindler's List, Spielberg employs parallel editing, also known as crosscutting, a cinematic technique in which two or more concurrent scenes are sewn together. The sharp contrast between the suffering of the Jews and Schindler's and the Nazis' comfort and optimism in Poland is made clear via parallel editing. It illustrates the stark contrast between pleasure and misery in the widest sense. Particularly, two passages show the potent impact of parallel editing, which could not have been achieved with a linear presentation of the tale. After the Jewish owners are forcibly removed by the Nazis and put to the Kraków ghetto in the opening scene, Schindler settles into his opulent apartment there. Three sequences are intercut in the second, and arguably most powerful, instance: Schindler celebrates his birthday, a wedding occurs in the Plaszów work camp, and Goeth beats Helen Hirsch.
One scene compels the spectator to acknowledge the cruel irony that Schindler profits off the suffering of the Nussbaum family. Given the family's pain, his callousness has an even greater negative effect. As Schindler hosts a party with the Nazis in the middle of the horror of the Holocaust, Spielberg elevates Schindler's avarice to unprecedented heights. The savagery of the third action line contrasts with the hope and joy of this scene's wedding and birthday celebrations. Viewers are forced to consider the truth of the Jewish condition due to the juxtaposition between Helen's misery and the joy of others taking part in the two festivals.
2.3
Narrative Aspect
Making a genuine connection with the victims of something as awful as the Holocaust can be difficult. It is practically difficult to understand the enormity and tragedy of the Holocaust without first separating the victims from the statistics. Museums, books, and images aid education, but the fact that more than six million Jews were murdered is extremely difficult to comprehend intellectually and emotionally. One could get lost in these statistical masses without truly appreciating the agony of individual victims due to a large number of victims and the variety of methods they were tortured and killed.
The horror of the Holocaust could only fully be felt by the victims themselves. With Schindler's List, Steven Spielberg sought to address this issue. Spielberg attempted to replace the enormous numbers with unique faces and names since it is simpler for people to relate on a human rather than an abstract basis. He made an effort to make the people in the movie relatable to the audience so that they might start to understand the events more intimately. To see the Holocaust-era Jews only as a race or group dehumanizes them once more and strips them of their individuality and distinctiveness. To identify Jews in the concentration camps by number rather than by name, the Nazis tattooed numbers on their arms; Spielberg attempted to use names in his film.
By giving the audience the impression that they are taking part in the proceedings rather than merely observing, Spielberg can depict the trauma Schindlerjuden experienced. As they get to know the characters and follow their struggles closely, viewers grow to care about these particular victims, who are also a microcosm of all Holocaust victims. The major objective of Schindler's List for Spielberg is this relationship. He wants the audience to be able to relate to the characters and experience their anguish and anxiety. As a result of this individualization, viewers are compelled to confront the atrocity on a personal level and acknowledge that each victim had a background, loved ones, a house, a job, and a life of their own.
However, Spielberg also gives the Nazis a human face. The persona of Amon Goeth offers a close-up look inside the anti-Semitic psyche of a Nazi commander. He uses shooting Jews as target practice from his balcony. He views Jews as a group rather than individuals with feelings and opinions. He battles his conflicted feelings of attraction to Helen and his hatred of Jews while being drunk by Helen Hirsch, his Jewish maid. Goeth, unlike Schindler, disputes his relationship with a specific person. Just as the Nazi Party could not get over its generalized hate of Jews, he could not overcome his hatred.
Spielberg brings the notion of independence to the film's stirring climax. The actual surviving Schindlerjuden may be seen here in full color. They put rocks on Oskar Schindler's grave while arranged in a line that stretches as far as the eye can see. Many of them are dressed like their on-screen counterparts. Spielberg accomplishes two goals by choosing to depict the actors with real survivors. First, the sequence emphasizes that the characters in the movie are actual humans, not simply made-up creations. A huge sense of pleasure may be felt by viewers when they watch the real survivors who beat evil. Second, Spielberg is attempting to convince anyone who questions the existence of the Holocaust that there is human evidence for it and that what occurre...
👀 Other Visitors are Viewing These APA Essay Samples:
-
Themes on the Film "Meek's Cutoff"
6 pages/≈1650 words | 2 Sources | MLA | Visual & Performing Arts | Movie Review |
-
Aesthetic, Political, and Educational Contributions of Moonlight by Barry Jenkins
2 pages/≈550 words | No Sources | MLA | Visual & Performing Arts | Movie Review |
-
The Matrix Ekphrasis
3 pages/≈825 words | 3 Sources | MLA | Visual & Performing Arts | Movie Review |