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2 pages/≈550 words
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APA
Subject:
Visual & Performing Arts
Type:
Movie Review
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English (U.S.)
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Topic:
Watch 600word critical reflection
Movie Review Instructions:
Watch any one of the films below and analyze it along with the required reading for this topic.*
Option 1: Kino-eye (1924, by Dziga Vertov)
(Available through University library online, on Kanopy database).
On Kanopy
-25 15:34 any film reading you can choosing in here，but just choose one to write 600 words reflection。and 5 citation。
Topic 3: Soviet Cinema in the 1920s
Note: Topic 1 and 2 for this unit are listed under Week 3.
Your reflection for Unit 1 (Critical Reflection 1) can be on a film and reading listed under any of the three topics for this unit.
Films
Watch any one of the films below and analyze it along with the required reading for this topic.*
Option 1: Kino-eye (1924, by Dziga Vertov)
(Available through university library online, on Kanopy database).
On Kanopy
Option 2: Man With A Movie Camera with musical accompaniment)
(Available through UB library LOGIN online, on Kanopy):
On Kanopy
On AVON database: https://video(dot)alexanderstreet(dot)com/p/0830jErqN
Option 3: Strike by Sergei Eisenstein (1925) (Available through university library online, on Alexander Street)
Link: https://video(dot)alexanderstreet(dot)com/p/36JymrLwp
Option 4: Battleship Potemkin by Segei Eisenstein (1925)
Free on Tubi: https://tubitv(dot)com/movies/100014280/battleship-potemkin?start=true&tracking=google-feed
Required Reading for this topic*
Relates to any/all film options listed above.
"Soviet Cinema in the 1920s" in Film History an Introduction by Kirstin Thompson, 2021
file: Film_History_an_Introduction_----_(6_Soviet_Cinema_in_the_1920s).pdf
Optional Extra Readings (short reads, you can cite these in addition to a required reading if you like.)
Reading for film Options 1 & 2 (Week 4)
Dziga Vertov's manifesto | file: dziga vertov kinoeye manifesto.pdf
Reading for film Options 3 & 4 (Week 4)
THE METHOD OF MAKING WORKERS’ FILMS (USSR, 1925), Sergei Eisenstein, file: eisenstein manifesto.pdf
General reading: What Is Soviet Montage Theory (And how to Use it): Link: What is https://www(dot)soundstripe(dot)com/blogs/what-is-soviet-montage-theory-and-how-to-use-it
Movie Review Sample Content Preview:
Critical Reflection
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Introduction
The field of cinema experienced shifts in film content and production methods in the 20th century. The Kino-Eye, released in 1924 by Dziga Vertov, was a cinematographic poem based on neutral principles with the beauty and energy of a society ready for an upcoming revolution. This shift is supported by the works of Eisenstein (1925), Thompson (2021), and Dragalina-Chernaya (2022). The film begins by stating that Kino-Eye is the first non-fiction film without a script and actors produced outside the studio. This complete shift in filming was dominant in the Soviet Union in the 20th century, especially in Russia. The paper will discuss the Kino-Eye by reviewing its history, strengths, and critiques in the cinema industry.
History
Kino-Eye refers to both the movement group that used a different technique of viewing film production and a film technique associated with Dziga Vertov. This technique aims to capture what could not be accessed by the human eye by assembling different parts and editing them using Soviet montage (All soviet movies on RVISION, 2016). This feature distinguished it from the acted films and narrative entertainment cinema forms that had taken over the cinema industry then (Thompson, 2021). However, the civil war in the 1920s affected the production, distribution, and exhibition of cinema in the Soviet Union. Kino-Eye gained popularity after the Civil War and overtook Hollywood in the cinema industry.
Strengths
Kino-Eye film is the best depiction of radical film theories suggested by Dziga Vertov. Rare glances of children, women, men and institutions in the Soviet Union indicate a neutral view of life that is often biased by the human eye (All soviet Movies on RVISION, 2016). The film emphasizes the active role of the camera in capturing reality, which is a depar...
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