Essay Available:
Pages:
6 pages/≈1650 words
Sources:
4
Style:
MLA
Subject:
Literature & Language
Type:
Essay
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 21.6
Topic:
Name of the artist
Essay Instructions:
Students must choose a Black artist from the time of this course: between 1900-2024. In their final paper, students must argue what makes their chosen artist "revolutionary" in the ways we have discussed in class. Has your artist redefined a genre or created a new one? Has your artist led a revolutionary life? Have they committed themselves to liberation, personally or privately? how does their work reflect some of the themes discussed in class? These questions are meant to guide you and are not required a response.
Minimum Requirements:
6 pages in length; double-spaced.
MLA format, separate Works Cited page.
At least four citations from the course materials.
Submitted to Canvas by the deadline.
Subject must be a Black artist: musician, vocalist, instrumentalist, dancer, or producer.
Essay Sample Content Preview:
Student Name
Professor Name
Course
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Kendrick Lamar: Redefining Hip-Hop and Committing to Liberation
Kendrick Lamar, a contemporary rapper, songwriter, and producer, has redefined hip-hop and emerged as one of the most influential Black artists of the 21st century. Born in Compton, California, in 1987, Lamar uses his music to reflect on systemic racism, Black identity, and social justice- his albums, particularly To Pimp a Butterfly(2015) and DAMN. (2017) have become cultural landmarks, blending innovative production, lyrical complexity, and raw emotion to tell stories of struggle and resilience. Lamar’s ability to fuse personal narratives with a broader commentary on liberation has earned him accolades, including a Pulitzer Prize for Music in 2018, making him the first hip-hop artist to receive the honor.
Kendrick Lamar is a revolutionary artist because he redefines the boundaries of hip-hop, transforming it into a platform for activism and intellectual discourse. By creating genre-blurring music and addressing themes of freedom, identity, and systemic oppression, Lamar challenges traditional norms of artistry and uses his work as a tool for liberation. This essay explores his historical context and personal background, artistic innovations, commitment to liberation, and lasting legacy to demonstrate how his work exemplifies revolutionary artistry.
Redefining hip-hop: artistic innovation
Kendrick Lamar has pushed the boundaries of hip-hop, elevating it to a form of high art that engages with philosophical, political, and cultural issues. His 2015 album, To Pimp a Butterfly, represents a paradigm shift in the genre, blending jazz, funk, soul, and spoken word with socially conscious lyrics (Nava para 15). Tracks like “Alright” and “King Kunta” challenge systemic racism, critique internalized oppression, and celebrate Black resilience, marking the album as a seminal work in hip-hop history.
Lamar’s ability to experiment with musical styles while maintaining lyrical complexity is unparalleled. Layered metaphors, intricate rhyme schemes, and shifting narrative perspectives create profoundly engaging and thought-provoking works. For instance, in “The Blacker the Berry,” Lamar juxtaposes his critique of systemic racism with introspective reflections on personal accountability, creating a nuanced and multidimensional portrayal of Black identity (Nava para 16). Such complexity is rare in mainstream hip-hop, underscoring Lamar’s revolutionary impact on the genre.
In his Pulitzer Prize-winning album, DAMN (2017), Lamar further redefined hip-hop by exploring themes of morality, spirituality, and human duality. Tracks like “DNA” and “HUMBLE” reflect self-worth, identity, and survival, resonating deeply with audiences. The album’s minimalist production contrasts sharply with the maximalist approach of To Pimp a Butterfly, showcasing Lamar’s versatility and willingness to challenge expectations (Driscoll et al. 5). By consistently reinventing his sound, Lamar has expanded the artistic possibilities of hip-hop, proving its capacity for innovation and intellectual engagement.
Commitment to liberation
Lamar’s work demonstrates a deep commitment to personal and collective liberation. His lyrics often address systemic oppression, racial injustice, and economic inequality, offering a voice to marginalized communities. In “Alright,” Lamar’s hopeful refrain, “We gon’ be alright,” became a rallying cry during Black Lives Matter protests, symbolizing resilience in the face of adversity (Driscoll et al. 20). The song’s infectious optimism and defiance encapsulate the spirit of liberation movements, making it a modern anthem for social justice.
Beyond his music, Lamar’s activism is evident in his actions. He has funded educational programs, supported community initiatives in Compton, and used his platform to highlight social issues. These efforts align with the principles of the Black Arts Movement, which viewed art as a tool for social and political change (Baraka 12). Like the poets and playwrights of that era, Lamar believes in the transformative power of art, using his music to inspire collective action and advocate for justice.
Lamar explores liberation on a personal level, wrestling with themes of guilt, redemption, and self-empowerment. In To Pimp a Butterfly, he examines his internal struggles with fame, identity, and morality, offering a candid portrayal ...
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