Creative Topic: Anthropocene. Literature & Language Essay

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Creative Topic: Anthropocene
Human activity has had a profound impact on the earth. The desire to survive, gain, and secure economic empowerment is driving forces behind the booming planetary activity. The impact on earth is immense and one can get the true picture through visualization. Anthropocene is a critical concept whose analysis provides genealogical age that espouses palpable human activity, which impacts on environment and climate. This paper will rope in Nixon’s theory of “slow violence”, Taylor’s living underwater sculpture, and Welcome to Anthropocene video, to illustrate contemporary and future Anthropocene discourse.
What is Anthropocene? Mirzoeff (pp.213) defines it as a new geological era that is underpinned by human intervention, ordinarily seen through the burning of fossil fuels. Koutsourakis (PP.299) described Anthropocene as a historical epoch or period in which humans transformed themselves into geological forces that influence the environment, making it arduous to delineate humans from the natural world. Clarke-Sather et al. (pp.332) defined the Anthropocene as the geological epoch, which features humans as dominant actors in the world environmental systems and is laced with controversies. The earthly changes stand out the topic of Anthropocene and these may be in the form of biochemical alteration of oceans, soil, and atmosphere. These changes explain diverse phenomena that include global warming, environmental destruction and degradation, extinction of species, and ocean expansions, amongst others. The globe has witnessed an exponential growth in the human population which has led to an unprecedented increase in urbanization and overexploitation of scarce resources. Clarke-Sather et al. (pp.332) observed that the environment is inseparable from humanity; the two have to coexist. There, it becomes crucial to examine the relationship between humankind and its environment.
Rob Nixon is such an author who has done exploratory dissection of Anthropocene by bringing to the full glare a range of fragilities that are entrenched on global environmental geopolitics. Rob Nixon provides a brutal criticism of the environmentalism movement, Europe, and American in the sphere of global climatic and environmental issues. The author coined the theory of ‘slow to violence’ to illustrate subtle aggressions against developing nations by Westerners, American, and environmentalists. Rob Nixon paints sad moods and condemnatory tone in his Anthropocene writings. He uses classical ideological inclinations to press the substratum of his argument. Rob Nixon’s argument nurtures Anthropocene visualizing; one can see at ease convoluted theme global environmental changes in the form of physical and biochemical transformations.
Rob Nixon is ‘ideologically perverse’; he deviates from the beaten path of geo-environmentalists to demonstrate an association of warped thinking on the arena of climate. The author brings out underpinning suspicions and palpable tone of scepticism amongst environmentalists in a sea of competing interests viewed from socio-political-economic perspectives. Rob Nixon’s viewpoints are informed ideological persuasions and inspirations from Curson, Said, Ramachandra Guha, Madhav Gadgil, and Joan Martinez-Alier. The author creates a sound scornful and illuminating piece that nurtures alternative ways of thinking and visualization on the Anthropocene. Rob Nixon’s narration prowess is demonstrated by his ability to weave a bold argument that takes into account both converging and divergent viewpoints on Anthropocene. He emphatically woos the audience by creating an illustrious peace that viewers can distinctly understand. His presentation of arguments is graphic.
Rob Nixon’s crust of the argument in his text ‘slow violence and the environmentalism of the poor’ rests on the unfair involvement of Africa in the management of global environmental issues. Rob Nixon unapologetically exposes the hidden violence agenda against Africa. He paints an illustration of situations where the environmentalists are putting up a spirited fight against environmental and climate impairments, but the western and American industrialists take refuge from environmentalism sanctions by displacing environmental waste to Africa. The perception that Africa can be used to dissipate industrial waste in the U.S and Europe is a subtle form of violence that requires ingenious eyes to discern it. According to Rob (pp.2), slow violence is gradual destruction, not an easily discernible process that is dispersed across space and time. Slow violence evades instant visibility but its consequences are quite calamitous.
Lawrence Summers’s quote is condescending and is a subtle attack on Africa. Robin Nixon hypothetically argues that summers’ advocacy for a military invasion of Africa could be considered violence, or imperialism. Thus, to invade Africa with slow violence; there is a need to rethink and come up with ways that are possibly masked and non-spectacular. In his introductory remarks, powerful quotes are unleashed that provide summative purview of the text contents via author’s quotations (pp.1);
I think the economic logic behind dumping a load of toxic waste in the lowest-wage country is impeccable and we should face up to that. . . . I’v...