Please Check the Instructions
Directions:
1. Choose an artifact (anything created by human beings).
2. Find a current/contemporary (you can define current as anything in the 20 or 21st century!) article or summary, describing an artifact or event that you feel has some strong parallels. (please give me the link or a copy of the article).
3. Write an essay that answers (not as a list) the following questions (in any order). Feel free, if you like, to use the 1st person.
Questions:
1. What is your topic (historical artifact or action) and its cultural context (summarize information presented in book, lecture, or other source in a paragraph)? What details about it stand out to you from among the many events, ideas and artifacts presented in the book or lecture? What current day artifact or event are you comparing it to, and what are the parallels between the two that drew your attention (quote from article if you wish)? Are these parallels likely to be the result of historical influence or inheritance? Or are they because of some other reason and if so, what? What are the important differences and what are the possible reasons for those differences? How do you feel about each of these artifacts or events? In your opinion do they represent positive or negative moments in cultural history? Does looking at them together suggest any insights about human nature, culture, politics, religion, art, etc.?
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Crucifix (Michelangelo)
The Crucifix by Michelangelo is one of the Renaissance sculptures that characterized the era, with many themes on Christianity, particularly touching on Jesus and Mary. These types of sculptures were mostly found in Continental Europe, as the artists used the religion as an inspiration for their work. Vincent (341), points out, that there has been interest on the subject of religion and art given that they do not seem to be compatible in the modern age. Crucifixion as depicted by Rachel Feinstein in 2003 mirrors the Renaissance art, but adds more details, including the image of John the Baptist and Saint John. Catholicism was the state religion of Italy, and the Italian Renaissance artists represented religious themes in their art works.
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HYPERLINK "/img/blog/michelangelo-crucifix.jpg" /img/blog/michelangelo-crucifix.jpg
INCLUDEPICTURE "http://images.arcadja.com/feinstein_rachel-model%7EMN8e4168%7E10000_20140924_n09196_287.jpg" \* MERGEFORMATINET
HYPERLINK "http://images.arcadja.com/feinstein_rachel-model~MN8e4168~10000_20140924_n09196_287.jpg" http://images.arcadja.com/feinstein_rachel-model~MN8e4168~10000_20140924_n09196_287.jpg
The nude Michelangelo crucifix might appear odd at first, but this was the norm during the time, with the depiction of many figures partially clothed or almost nude, and this extended to other sculptures that were non religious. Despite increased depiction of transgressive art on religion in the modern era, the Feinstein sculpture focuses more on the original themes of horror at the crucifixion albeit with obscenity (Vincent 342). The use of plaster and plywood and fabric departs from traditional approaches of sculptures, but nonetheless captures the religious connotation of the love of God despite suffering and tribulations.
According to Vincent (344), the Feinstein s...
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