Final Writing Assignment Visual & Performing Arts Essay
please read the prompt and follow the prompt. and please make it 10 pages of 1.5 spaced
Final Writing Assignment 2019/11/26 下午9:34 file:///Users/test/Desktop/Final%20Writing%20Assignment.webarchive ⻚码:1/4 Final Writing Assignment Due Friday by 1pm Points 20 Submitting on paper FINAL WRITING ASSIGNMENT Final Paper 20% Due in-class Friday, 29 November 10-12 pages For this assignment, I am asking you to consider several questions about the readings and conversations that we have had over the semester. This course was designed to begin with some considerations of the practice of art history, then to expand your awareness and knowledge of the different directions that this field moves in depending on the institution and/or professional specialization of the guests we met on our field trips. These questions will ask you to analyze and evaluate the assigned readings in light of the information you have received on our field trips. You may feel free to draw on material from the textbook that was not assigned, as well as the assigned readings. You are expected to utilize proper essay format in your answers (introductions, conclusions, paragraph structure) but of course you may use first person to provide your own opinion. The specific questions will be submitted to you after the Reading Week Break. VPHC72: Second Writing Assignment Due: in-class on Friday, 29 November, 2019 Length: 10 pages, minimum. 1.5 spacing Final Writing Assignment 2019/11/26 下午9:34 file:///Users/test/Desktop/Final%20Writing%20Assignment.webarchive ⻚码:2/4 For this assignment, I am asking you to consider three questions about the readings, field trips, and discussions that we have had over the semester. This course was designed to begin with some considerations of the practice, and differences in practice, of art history both in academia and in the museum/gallery context through your readings; then to expand your awareness and knowledge of the different directions that this field moves in depending on the institution and/or professional specialization of the guests we met on our field trips. These questions (see below) ask you to analyze and evaluate your learning experiences in this course. You may feel free to draw on material from the textbook that was not assigned, as well as the assigned readings/articles, online material, etc. on Quercus. You are expected to utilize proper essay format in your answers (introductions, conclusions, paragraph structure) but of course you may use first person to provide your own opinion. You must answer three (3) out of the four (4) questions. Question 1. The cartoon shown at the beginning of this assignment expresses a popular concept in contemporary curatorial theory, namely that audiences want freedom to use their own responses to images and objects to construct meaning, instead of having institutions define that meaning for them. This approach, Final Writing Assignment 2019/11/26 下午9:34 file:///Users/test/Desktop/Final%20Writing%20Assignment.webarchive ⻚码:3/4 of course, raises questions about limitations of expertise, the role of institutions as educators, about how institutions mediate the visitor/audience experience. Using at least three (3) of our field trips and three (3) of the readings from this course, please discuss how your own learning in this course was shaped by your encounters with these encounters, individuals and ideas. Did these encounters help you to create meaningful responses, both for current and future engagement? Question 2. "'Art' still imposes itself as responsibility: it has to be preserved, it has to be shown, it has to be explained." - Michael F. Zimmerman, The Art Historian: National Traditions and Institutional Practice. Williamstown, MA: Sterling and Francine Clark Art Institute, 2003, p. viii. The idea of art as a responsibility is obviously something taken very seriously by the people and institutions we have visited this semester. As we complete our course, please discuss what the quotation means to you. How do you think that an art museum should carry out these responsibilities today? Please explain fully. How important are museums to today’s culture, and to the future of our culture? Did this course help you to develop a greater understanding of what types of art institutions exist, and the kinds of issues that these institutions face in Canada today? Question 3. "The Museum can help people only if they use it; they will use it only if they know about it and only if attention is given to the interpretation of its possessions in terms they, the people, will understand." (John Cotton Dana, 1909, founder of Newark Museum) The idea of a museum being there to help people is an interesting concept, and one that some institutions are beginning to finally pay more attention to. In your opinion, should museums play a role in helping people? Discuss the range of ideals about the role of a museum presented in our course readings and on our field trips. Please explain fully. How are museums addressing ideas of help by considering issues of interpretation, experience, audience and diversity of audience? And finally, do you have any thoughts on how these institutions can help people? Have visits to these institutions helped you? How so? Question 4. This course used an approach known as ‘integrated learning’, defined by the University of Toronto as learning experiences that: “provide students with the ability to bridge theoretical and practical learning and to observe how the material they have learned in class takes shape in the world.” We used a combination of field trips and in-class discussions to explore the practice of art history and to better understand its challenges and issues across academic/museum/gallery institutions. Drawing on material from course readings, field trips and class discussions, please consider the following questions. How did the different approaches affect how you learned the material? What do you think were the major strengths and weaknesses of in-classroom experiences vs. field trips? Do you think this course made effective use of integrated learning, and do you have any suggestions for improving the course? Final Writing Assignment 2019/11/26 下午9:34 file:///Users/test/Desktop/Final%20Writing%20Assignment.webarchive ⻚码:4/4 Total Points: 20.0 Grading Scheme (1) Criteria Ratings Pts 0.0 pts 20.0 pts GRADING SCHEME: Content: follows all steps of the assignment /2.5 Communication: shows clear flow of ideas, organizes information into logical discussion, demonstrates evidence of explaining ideas to reader /2.5 Analysis: consistently provides specific examples to support ideas, discusses sources of information, raises questions and analyzes course material /7.5 Synthesis: demonstrates evidence of building arguments, compiling logical responses to course materials using evidence, communicates how course experience is building further knowledge /7.5 Total: /20 Description of criterion Grading Scheme Grading Scheme for Final Paper: • Structure and organization (presents ideas and material in coherent and logical composition; uses proper essay structure including complete sentences, paragraphs, introduction, conclusions) /2.5 • Communication skills (provides consistent discussion and analysis throughout paper; fully discusses ideas and provides supporting examples or details) /2.5 • Critical analysis (presents a thoughtful response to questions using appropriate knowledge; fully considers the issues presented by each artwork and how they connect to material learned in the course) /10 • Content (answers all issues within the question, uses all of the appropriate material including specific artworks, readings, class discussions, etc.) /5 Total: /20
Professor’s Name
Course
Date
Art Institutions in the Contemporary Society
Q. 1
Art has diverse forms, and it exists in different communities, cultures, and nations. Since time memorial, art has been created, proved in cave portraits and rock painting, and the current world, people recognize that it can be a critical economic power, yet individuals continue to inquire about the value of art (Pooke, Grant, and Diana 38). Frequently people have different perceptions about art, and when they see any skill, they feel that they can also do it or they do not understand them. Maybe not valuing something that people themselves could create or imagine things to be assumed implies the loss of contemplation and originality in the world and only extends peoples’ prerequisites for the arts. "'Art' still imposes itself as a responsibility: it has to be preserved, it has to be shown, and it has to be explained." - Michael F. Zimmerman. From this quotation, it is evident that art is an element of beliefs, reflecting economic and societal substrata in its purpose. It conveys concepts and morals intrinsic in each culture through space and time. Its function modifies over time, obtaining more of an appealing factor and a socio-instructive purpose. Art being a responsibility, makes it a natural human behavior. Every culture has its type of art, like language; it is essential human conduct, which implies it is part of what humans are, and therefore, humans must take it as a responsibility because it makes people complete human beings. Art is also communication like language, and it is a platform to convey thoughts and to share ideas. Art provides a technique to interconnect what people might not necessarily fully realize or distinguish how to communicate. In preserving, showing, and interpreting, it assists people in sharing ideas, ideas, and imaginations that might not be capable of being said in any other manner. Therefore people need art to have a complete collection of communication.
Producing or experiencing art can unwind and sooth one, or it might brighten and arouse an individual. The procedure of forming art involves both the physique and the thoughts and offers people time to view their inner being and reflect. Living through art also offers us purpose to contemplate and be philosophical or might stimulate us to rise to the occasion (Pooke, Grant, and Diana 38). Art provides relief, a place for thinking, and a technique to involve ourselves completely. Therefore, it is a responsibility that we must embrace to keep us healthy. Art needs to be preserved, shown, and explained as it tells our stories. Art has a history message, and it is a historical account, conservation of values, and a life history entirely in one. Art documents occasions and practices and permits us a complete understanding of the past. Art replicates cultural principles, views, and uniqueness and assists in maintaining several different societies that form our world. Art records our lives and practices through time. Art still enforces itself as an obligation as we still need it in understanding and sharing our personal and shared history. Finally, art is an ultimately shared experience. The formation of art is a cooperative activity. The type of art, such as dance, dramatic art, and choir altogether, needs a set of actors and spectators. Even the self-contained artiste or writer depends on the abilities of the paint-maker or the one binding the book to assist in producing art. Art provides people a motive to come together and partake in an experience. Art still imposes itself as a responsibility, which must be preserved, demonstrated, and explained for people to stay connected.
Art transforms all the core aspects of the society, from the fundamental element of self to the experiences that define individual perspectives. Through music, literature, painting, and all other forms, art helps to create the link between the past and the present. Art in all its forms evokes emotions, it relaxes the mind and even stimulates creativity for everyone that encounters it (Nielsen 375). Art enables communication across different social groups, thereby propagating the exchange of cultures. Messages depicted through art serve the purpose of voicing opinions and ideas even from minority groups.
More than this, research proves that the human brain has a way of processing visual art in a way that boosts one’s well-being. This has been proven by research from Newcastle University that demonstrated how and why modern visual art is a form of therapy for the elderly. Moreover, it is no surprise that scholars who actively engage in music and art-related activities perform exemplary in mathematics and literature (Nielsen 373). From these observations, the National Art Education conclusively acknowledges that art is a primary form of self-expression. What is even better is that the wave of contemporary art creates jobs for the growth of economies.
This course helped in developing a greater realization of what kind of art establishments exist. I have learned that these art institutions have so many materials for cultural and historical values, are a good foundation of entertainment, and the assist in preserving and promoting our cultural heritage. I also learnt about old artifacts, sculptures and history at large, and how these institutions help in research and study. The kinds of issues that these institutions face in Canada today is that they find themselves in a vigorously ever-changing realm where time–esteemed approaches are turning obsolete and fruitless. I think museums need to adjust to encounter the requirements of their spectators while not losing sight of their duties.
Q. 3
Museums are probably the oldest homages to art all over the world. The very first museum is dated back to the 3rd century B.C., and this was found in the Alexandria city of Egypt. At this point in history, museums were storage for ancient farming and hunting tools. In others, human remains that had been recovered were the only materials in the museums (Anikina et al. 476). However, museums have changed over time in terms of functionality, perception, and their role in society. The purpose of museums has then gradually become more significance as museums are now found in almost all cities in the world. Even with the technological revolution, museums have been preserved and held with high regard in the various towns.
In ancient times, museums were only meant for storing items that had a particular cultural, political, historical, or social connotation. Such materials were collected and displayed in museums for viewing. This ideology made museums dull and miserable or in better situations, places to learn about cultures (Anikina et al. 476). To a large extent, this perception of museums attracted only the learned class of people while the uneducated kept off as they could not relate to the museum concept. With the growing focus on holistic social involvement, this misperception about museums is gradually being dismantled.
Today, museums embody the evolution of mankind through the centuries. Museums are the storage for, which man has invented and creatively improved from nature’s provision. More than anything else, museums hold the culture of societies and historical stories that are of utter importance. Even with this recognition, some still see museums as places where unwanted items are disposed of. Precisely, museums are associated with elements of items of unclear religious practices. Such perspectives still impede the appreciation of museums across cities. Amidst this tainted perception, museums strive to reinstate their place in society. First, they do this by positively impacting the community on all levels. The continuous positive impact must be evident in their vision and mission statement. They do this by redefining their purpose, which is to engineer positive social change. By connecting the past to the present, museums showcase progressive change that also helps to call for change for a better society. As well, museums host events that steer for societal development politically, economically, and socially. As museums provide ways to reminisce on historical times, they help to cultivate the spirit of democracy and governance that is founded on integrity.
Further, museums have to restructure their operations to show appreciation for modern culture. For example, museums have to identify with the prevailing urban culture of music and art to stay relevant to the larger society. On political levels, museums can and have been conducive platforms for citizens to discuss social issues. It is in such open forums that civic education is conducted concerning equality, resource distribution, policy-making, and governance. As much as these open forums discuss political issues, the moderators must remain apolitical. They have to ensure that partisan divisions are not encouraged even while the public tries to iron out the political issues. This kind of sensitization can be extended from the historical point of view and the political milestones of a nation. By providing spaces for civic engagement, people will be to resonate with the value of museums, even in society.
Visiting the museum has significantly helped in understanding diverse cultures. Indeed, it must be appreciated that cultural learning is critical in the education system. It is useless to have all the knowledge if a society does not truly understand its cultural and historical fabric. This is because museums have the tools to conduct cultural education even better than schools. Museums provide extensive exposure of ancient times to children in a bid to show progress and evolution. The places are also reservoirs for information not only regarding cultures but also socio-economic issues (Anikina, Oksana, and Elena 476). What makes museums even more effective learning tools is that the curators have thorough knowledge and exposure to different cultures. The only missing link in this is the lack of proper channels and programs to disseminate the information. Well-designed programs by the museums, thus, play a complementary role in the education system by imparting useful general knowledge to young people.
To capitalize on this, museums should work on developing tailored education programs for the different levels in the academic system. For example, planning and allowing students to pay regular visits to the museums would significantly impart historical knowledge. As well, ensuring that the museum environment is children friendly by enabling them to participate even in re-organizing museums (Anikina, Oksana and Elena 476). This goes beyond tagging children along when visiting the museum. This habit only downplays the role of museums and transfers a little perspective to the younger generation. To reverse this, museums must have programs to teach children cultures in a way that they can understand and relate with. In essence, the role of museums in the education systems must be elevated by integrating museum education in the curriculum and ensuring that learners acquire this education (Haxthausen 14). Such efforts are crucial to improving outcomes of cultural literacy.
Museums are elemental in the promotion of diversity and cultural appreciation. Through the collections in museums, the general public gets to learn that people are different and s are their beliefs. Museums impart and reinforce lessons regarding peace and unity and showcasing incidences where these virtues were lacking. In addition to these lessons, museums can have initiatives championing peace and love among people (Monfils, Anna, et al. 47). As aforementioned, museums are spaces for dialogue on current issues affecting the people. They thus propagate conversations around ethnicity, ethnic rivalry, and how to resolve such conflicts. Helping to address the problems bridges the gap between ethnic communities while promoting unity.
Beyond cultivating peace and harmony among people of the same society, museums have the potential to unite nations and continents. This can be achieved through programs for cultural diplomacy and engendering cultural exchange. As people interact on these levels, they appreciate each other’s culture and pay attention to unity as opposed to the differences (Monfils, Anna, et al. 47). As well, cultural programs across nations would instill individual pride in people’s culture and respect for cultural differences. Immensely, these cultural programs, classical education, and dialogues are fundamental in building unity among people and nations.
Museums have a pivotal role to play in the cultural and historical heritage of a nation. As in the past, the museum is charged with the purpose of cultural preservation in the 21st century for the sake of coming generations. This being the case, museums must promote cultural heritage to bring a sense of direction to a nation’s people. Museums should genuinely be able to forge for solutions too societal challenges. They can do this...
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