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Visual & Performing Arts
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English (U.S.)
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Topic:

Differences Between Olympia And Les Demoiselles d'Avignon

Essay Instructions:

Please compare and contrast two works chosen, making sure to note the context, relevance, style, and medium of each work. What themes do they share in common, how do they differ formally and stylistically? How are the social, historical, and political contexts of each work reflected in their differences and similarities?
1. Edouard Manet, Olympia, 1863
2. Pablo Picasso, Les Demoiselles d'Avignon, 1907

Essay Sample Content Preview:
Student’s Name Professor’s Name Course Date Comparison and contrast between Edouard Manet, Olympia 1863 and Pablo Picasso, Les Demoisselles d’Vignon, 1907 Artists make fine arts to speak to their encounters, their considerations, and to speak to certain social issues that they need to change. Manet and Picasso are among the pioneers of various artwork and the genuine essentials of their work as the craftsman, their reality, fine art and crowd are terrifically vital parts of the general importance of the work. Two incredible cases of craftsmen who connote their reality through their specialty, is Edouard Manet and Pablo Picasso. These huge craftsmen softened numerous customs up the craftsmanship world and caused numerous changes, yet assumed a major part in making workmanship developments, for example, Cubism and Impressionism. Their style of painting caused perplexity and confusion in their general public; the breaking of traditions and compositional guidelines gave a consider stun to their groups of onlookers. By reviewing their cutting-edge works enables groups of onlookers of today to look into their reality and see the social orders basic issues. Innovation began with the Industrial Revolution, this was a period of fast changes in consistently life; innovation, transportation and assembling. Manet's work tested customary traditions of the time and made an aggravation in the craftsmanship world with his new and test thoughts. The impacts of Diego Velazquez and Francisco de Goya, who are both Spanish craftsmen, are exceptionally unmistakable in Luncheon on the Grass. Manet joined their overwhelming, clear brush strokes, which most certainly tested traditions. The unblended brush strokes and whiteness of the canvas ...
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