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Style:
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Subject:
Law
Type:
Essay
Language:
English (U.S.)
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Topic:

Why Stakeholders Must Give Galleries and Museums the Space and Room to Do Their Job

Essay Instructions:

Assessment Task 2 Title: Essay Weighting: 60 %

Assessment type: Extended Writing Task

Requires group work: No Assessment summary

The research essay is designed to allow students to demonstrate their ability to formulate their own reasoned opinions about core problems addressed in the course. Assessment will be based on the quality and originality of your analysis of the topic you have chosen, as well as the demonstrated knowledge of the relevant legal principles applicable: see the marking rubric below for further information.

To do well in the essay, you must demonstrate core disciplinary knowledge, the capacity to think and present written arguments clearly and to engage in a critical analysis of the relevant legal and ethical issues.

Topic: A variety of topics will be made available for you to choose from in Week 2, but you are also able to select your own topic, provided you first discuss that topic with your tutor.

Word length: Your essay should be between 2000 and 2500 words excluding footnotes and bibliography. It must explore a legal or ethical principle in the museum or curatorial professions in depth, with reference to real-life examples, and relevant legal rules, cases and principles.

topics are : Stakeholders must give galleries and museums the space and room to do their job. Discuss.





Essay Sample Content Preview:
Why Stakeholders Must Give Galleries and Museums the Space and Room to Do Their Job.
Your Name, student ID
Introduction
As vital custodians of our collective cultural inheritance, Galleries, and museums safeguard and display a myriad of historically, artistically, and scientifically significant objects. Their efforts enrich societal understanding, appreciate cultural diversity, and facilitate intellectual discourse while providing unparalleled educational experiences. Consequently, their contributions are essential for societal enrichment and for promoting cultural diversity.
Stakeholders, encompassing government agencies, private collectors, donors, artists, and the public, wield significant influence over the capacity of galleries and museums to accomplish their objectives. By offering funding, resources, and expertise, stakeholders are indispensable to the operation and success of these cultural institutions. Furthermore, they are vested in the ethical and legal considerations related to galleries and museums' activities, including acquiring, displaying, and preserving cultural artifacts. As such, stakeholder support and comprehension are vital for institutions to maintain public trust and effectively execute their mission.
The crux of this paper revolves around the necessity for stakeholders to grant galleries and museums the requisite latitude to function effectively. By scrutinizing ethical and legal matters in curatorial contexts, this paper endeavors to underscore the significance of stakeholder support in addressing these complex challenges. Additionally, it aims to illuminate how stakeholders can contribute to formulating and executing ethical practices and policies, ensuring the continued prosperity of cultural institutions in serving the public interest.
To attain these goals, the paper will explore contemporary ethical and legal dilemmas in curatorial practices, scrutinize the influence of these principles on cultural institutions, and evaluate the legal resources and assistance available to practitioners. Through this exhaustive examination, it is anticipated that an enhanced comprehension of stakeholders' role in the successful operation of galleries and museums will be attained, emphasizing the importance of their sustained support and collaboration.
Ethical and Issues in Curatorial Context
Galleries and museums grapple with many ethical and legal conundrums in their curatorial endeavors, necessitating thoughtful deliberation and management. A prominent concern involves the ownership and repatriation of cultural artifacts. Procuring and possessing such items have frequently been mired in controversies, encompassing antiquity looting, unsanctioned excavations, and illicit trade of cultural property. Such practices have led to the dislocation and splintering of cultural heritage, igniting disputes over rightful ownership and artifact repatriation. As a result, adherence to ethical guidelines, like those proffered by the International Council of Museums (ICOM) and the UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export, and Transfer of Ownership of Cultural Property, has become essential in acquiring and exhibiting cultural artifacts.[Howery, Carla B. 2013. “The Effects of the Economic Crisis on Archaeology in Greece.” Journal of Eastern Mediterranean Archaeology and Heritage Studies 1 (3): 228. https://doi.org/10.5325/jeasmedarcherstu.1.3.0228.]
A vital facet of curatorial practice is curating and representing cultural heritage. Depicting diverse cultural narratives entails numerous ethical considerations, including acknowledging and respecting displayed artifacts' cultural significance and context. Curators grapple with challenges in achieving accuracy, inclusivity, and cultural sensitivity while evading misrepresentation or perpetuation of stereotypes. Collaboration with source communities and expert consultation can facilitate navigating these complex matters, ensuring exhibitions offer an equitable and precise portrayal of various cultures.
Furthermore, preserving and conservating cultural artifacts constitute additional ethical and legal obligations for galleries and museums. Institutions are responsible for safeguarding and maintaining the cultural property for future generations in terms of both physical integrity and cultural importance. Fulfilling this duty entails implementing appropriate conservation techniques, adhering to environmental and storage guidelines, and engaging in responsible loan and exhibition practices. Legal frameworks, such as national laws and international conventions, oversee these conservation efforts, and institutions must comply with these regulations to guarantee the long-term preservation of cultural heritage.[Gireesh Kumar, T.K. 2021. “Designing a Comprehensive Information System for Safeguarding the Cultural Heritage: Need for Adopting Architectural Models and Quality Standards.” Library Philosophy and Practice (E-Journal), 1–19.]
Communicating Ethical Ideas and Information
Effectively conveying intricate ethical concepts and information related to cultural property and legal matters is crucial in ensuring that stakeholders grant galleries and museums the latitude and freedom required to accomplish their mission. This can be realized by cultivating a collaborative atmosphere among stakeholders, cultural institutions, and communities.
Unrestricted dialogue among all parties is vital in addressing the multifaceted ethical and legal dilemmas associated with acquiring, displaying, and conserving cultural artifacts. By encouraging communication, stakeholders can gain a deeper comprehension of galleries and museums' challenges, subsequently offering the necessary support to incorporate ethical practices within their institutions.[Carnegie, Garry D., Paolo Ferri, Lee D. Parker, Shannon Sidaway, and Eva E. Tsahuridu. 2022. “Accounting as Technical, Social and Moral Practice: The Monetary Valuation of Public Cultural, Heritage and Scientific Collections in Financial Reports.” Australian Accounting Review 32 (4): 460–72. https://doi.org/10.1111/auar.12371.]
Stakeholder involvement is paramount in fostering transparency and trust within the decision-making process. By contributing financial resources, expertise, and advocacy, stakeholders can cultivate an environment that enables galleries and museums to pursue their goals while adhering to ethical and legal guidelines.
Public education and awareness are also essential in providing galleries and museums with the freedom to operate effectively. Heightening awareness about the challenges and responsibilities of cultural heritage management can instill a sense of collective responsibility and recognition of the significance of ethical practices. This can be achieved through various methods, including exhibitions, educational programs, public lectures, and digital platforms, which engage diverse audiences and deliver accessible information about the intricacies of cultural property management.[Lu, Zhicong, Michelle Annett, Mingming Fan, and Daniel Wigdor. 2019. “‘I Feel It Is My Responsibility to Stream.’” Human Factors in Computing Systems, May. https://doi.org/10.1145/3290605.3300459.]
Informing the public about cultural heritage's ethical and legal aspects can foster responsible behavior among visitors and collectors, further empowering galleries and museums to execute their work. This encompasses promoting respect for cultural property, discouraging illicit artifact trade, and raising awareness about the repercussions of unethical practices on cultural heritage.
Overall, in line with the topic of communicating ethical ideas and information, stakeholders must grant galleries and museums the latitude and freedom necessary to accomplish their mission. By endorsing collaboration, open dialogue, and public education, stakeholders can contribute to an environment that supports these institutions' ethical and legal practices, ultimately ensuring the preservation and appreciation of cultural heritage for future generations.
Ethical Principles in Curatorial Contexts and Impact on Cultural Practices
To champion the cause of stakeholders providing galleries and museums the necessary latitude and freedom to achieve their mission, dissecting the ethical and legal tenets in curatorial contexts and evaluating their influence on cultural practices is crucial. This analysis helps emphasize the significance of adhering to guidelines and frameworks and showcases the repercussions of neglecting to do so.
A comprehensive investigation of existing ethical guidelines and legal frameworks governing cultural property unveils the intricate international and national laws that museums and galleries must traverse. Laws such as the UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export, and Transfer of Ownership of Cultural Property, and national legislation, lay the groundwork for responsible practices concerning the acquisition, display, and conservation of cultural artifacts. For i...
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