Critique of Maria Tatar’s “Introduction to Fairy Tales
Write a Critique of Maria Tatar’s “Introduction to Fairy Tales.” Follow the following guidelines:
Your summary of Tatar’s “introduction” should restate her argument against the position of William Bennett (see paragraphs 10-14) regarding the moral ambiguity of fairy tales. Your task in writing a critique of Tatar is to evaluate this argument. Do you agree or disagree with her criticism of Bennett? In answering the question, draw on both your experience of having fairy tales read to you as a child and your experience of reading fairy tales to children. Shape the insights from your experiences with fairy tales into an argument that will either support or challenge Tatar’s argument regarding the moral ambiguity of these tales.
In reflecting on your experiences, you may want to consider several questions that may help you to clarify your response to Tatar’s (and Bennett’s) positions.
Did you, as a child, have trouble with the violence of fairy tales—or the pain, fear, envy, or other “dark” emotions common to these tales?
Especially if you haven’t read (or heard one of these tales in a while, do you now have trouble with the darker emotions associated with them?
How do you approached fairy tales with children? Do you have expectations of a moral to be learned? Do you have concerns about violence, etc.?
Is a story for children just a story? Should it have moral content? If not, why not? If so, why? And who gets to decide this content?
Critique of Maria Tartar’s Introduction to Fairy Tales
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Often, childhood memories are bombarded by fairy tales that frequently have happy endings which sometimes, do not resemble reality. The ideologies of fairy tales are embedded in children’s minds from the time these stories were told up to adulthood. Since these stories do not reflect reality at times, a famous author, Maria Tartar, critiqued the essence of the lessons from fairy tales that have a significant effect on the child’s personality, character, and actions. Tartar emphasized that ferocity and meekness are essential in creating narratives (Tartar, 2002, as cited in Behrens & Rosen, 2013).
One of the points that Tartar discussed relates to William Bennett’s Book of Virtues. Many scholars respect Bennett’s writings as universal, timely, and culturally-acceptable. This is mainly due to the notion that literature that reflects good intentions produces upright citizens who embrace self-discipline, empathy, obligations, friendship, bravery, righteousness, and loyalty. However, Tartar contradicts the scholars by stating the stories of Bennett do not expose the harsh reality (Tartar, 2002, as cited in Behrens & Rosen, 2013).
The actuality of the world does not only depend on good deeds. It is also necessary for the children to understand what is wicked to appreciate what is morally acceptable. Although this concept abandons cultural norms of teaching “only” what is just, children will no truly understand the mistreatments of the society when kids are not exposed to “what is evil” at a young age. This mistake creates a loophole where the children become confused about what is morally ju...
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