100% (1)
page:
8 pages/≈2200 words
Sources:
6
Style:
Harvard
Subject:
Business & Marketing
Type:
Coursework
Language:
English (U.K.)
Document:
MS Word
Date:
Total cost:
$ 41.47
Topic:

Reading the Brand Written Assignment: Detailed semiotic analysis of two adverts.

Coursework Instructions:
Hello, Please see below the instructions for this analysis and thank you for your time (Apologies if the instructions are very long, I just copied and pasted the assessment criteria as it explains things better than I could). Can you choose adverts focusing on alcoholic beverages to keep in theme with my journal entries, this is not necessary and you're more than welcome to choose something of your convenience. What should my assignment focus on? You should choose two adverts that are related to one another in some way such as advertising similar product types or being on similar themes. What should my assignment consist of? You should provide a detailed, comprehensive semiotic analysis of your adverts as follows: • Analyse your two adverts by applying to them any or all of the semiotic concepts we have explored. When introducing each concept you should define it very briefly. (NB not every concept will be relevant to every advert, so there is no need to apply those that are not. It is also entirely appropriate to discuss why you think a particular advert does not contain a particular type of representation.) • Consider audience, both as regards the demographic(s) you think the advertisers are targeting given the choices made in the adverts, and the extent to which different demographic(s) may ‘read’ the adverts differently. • Consider ‘the bigger picture’ of social norms, ideology and power where you think these are relevant. • Provide a critical evaluation of each advert, and any suggestions of changes you would make. (NB this point may be a very straightforward ‘In my opinion both adverts are exceptionally well constructed and effective’.) There are clearly overlaps between each of these points, and there is no hard and fast rule about how many words you should write on each point. As a rough guideline, I would suggest you would need between half and two thirds of your words for the first point in order to achieve a sufficiently comprehensive semiotic analysis. You should see the other points as ‘building up and out from’ your semiotic analysis in order to bring more layers and richness to what you are saying. I would therefore suggest that you aim to link your discussion of the other bullet points back to the semiotic concepts where possible in order to product a ‘tight’ argument. Beyond that, it is up to you to decide how best to structure your work so that it makes the arguments you wish to make as clearly as possible. Do I need references? This is primarily a piece of analysis and you are primarily being assessed on your ability to apply concepts and carry out analysis yourself, so I do not expect lots of references. I would however expect a short bibliography containing Chandler’s book and a few other references, and a few in-text references. What are the criteria for this assignment? The criteria are as follows. They are, broadly speaking, equally ‘weighted’, though this is a ‘qualitative’ assignment that is marked holistically, so there is not a quantitative weighting for each criterion. Knowledge and understanding: the extent to which you have demonstrated your knowledge and understanding of the theories and concepts we have covered on the module. Analytical skill: the detail and comprehensiveness of your analysis. Independence of thought: the extent to which you make original observations or analyses. Link between theory and society / industry: the extent to which you can discuss how your detailed analysis relates either to societal structure, or advertising practice, or both. Presentation: the technical competence of your writing, including appropriate use of academic register, and correct referencing and bibliography.
Coursework Sample Content Preview:
SEMIOTIC ANALYSIS OF TWO ADVERTS Name Institutional Affiliation Instructor Course Date Introduction The UK has adopted stringent alcohol advertising regulations to promote responsible drinking and managing public health. The Advertising Standards Agency (ASR) sets rules for alcohol advertising across all media channels, such as television, radio, print, and online. This set of regulations requires adverts related to a lot of beverages that do not affect people under 18, alcohol use to solve a harmful problem in society, or to promote drinking that is excessive or has no limits. UK's government regulates the airing of alcoholic ads near schools and playgrounds in addition to the distribution of alcoholic advertisement leaflets on students' campuses. Adherence to these rules gives advertisers the framework to maintain their fair play and protect themselves against regulators' possible punishments, such as sanctions and fines (Noel et al., 2020 p.61). Marketers follow these regulations by ensuring that their adverts are clear and follow a target audience that understands the intended meaning. They apply semiotic concepts that guide the delivery of direct and hidden messages. Smirnoff's advert, "Message in a Bottle," and Guinness's advert, "Holding out for a ZERO", provide a deeper understanding of semiotic concepts' application in alcoholic beverages marketing in the UK. Semiotic Analysis of the Adverts Sign defines the fundamental unit of meaning. It is made up of the signifier and the signified. The signifier is the sign's physical form, such as the word, image, sound, or object, while the signifier represents the concept or meaning the signifier represents (Dalamu, 2021 p.31). In alcohol advertisements, the sign is critical in developing effects intended to highlight a superior brand. In the Smirnoff advert, images and words represent the signified. Different things transform and reveal hidden or different meanings according to the viewers. For instance, the black cat turns into a tiger once it reflects on the Smirnoff bottle, a beads necklace changes to a snake, and a woman standing next to a man change to represent a dominating figure (Ramavath, 2017). These are signs of power a person gains once these characters take the alcoholic beverage. In the Guinness advert, a signifier is seen in terms of sound and object. The advert comprises classes filled with Guinness, and they are signing to St. Patrick's Day. The foam on top has the image of a human face to symbolize how the drink gives people a voice where they can communicate (GuinessEurope, 2023). The background music is about a hero, which reflects the people who use the drink where they are turned into heroes for the night. The sound is in unison, and the glasses filled with alcoholic beverages are in unison, which creates a sign of togetherness associated with people taking the drink together.   The code concept describes the signs and rules meant to interpret meaning. These could be textual, social, linguistic, and interpretive (Van Nguyen, 2024). In an advert, code is developed based on the message intended and focuses on showing the brand's superiority. Code is meant to align with the target audience's information about the product. In the Smirnoff advert, the interpretive aspect is seen with the clarity of the product. Smirnoff is a clear product, which means when in a bottle, it is possible to see through the other side, thus bringing clarity to the images. This explains changes in the necklace, people, and cat as they are given clarity once a person takes the beverage. The interpretation of the clarity is that once a person takes Smirnoff, they can see things clearer (Ramavath, 2017). Different social contexts have been inferred in the advert, such as partying and sexual fantasies. People are partying, and with Smirnoff, they are taken to a situation where they can achieve their dreams. In the Guinness advert, the social context is St. Patrick's Day, a religious and cultural holiday celebrated on 17th March to commemorate the death of a missionary. St Patrick. It infers Guinness acceptance in cultural and religious ceremonies, showing that it would not harm the users as it does not cause immoral actions (GuinessEurope, 2023). The interpretive meaning of the advert is associated with being a hero, accompanied by the linguistic aspect of the song hero, including the definition features of the hero included in the advert.    Denotation is the direct and literal meaning of a sign without interpretation. Denotation guarantees that an ad has only factual information regarding the alcohol product, such as its brand, type, ingredients, percentage alcohol content, and any legal or health warnings indicated (Dalamu, 2021 p.36). Such transparency is instrumental in helping customers attain the knowledge they need to make the right decisions. In both ads, the alcoholic beverages they are representing are apparent. The Guiness ad starts with the view of the glass with the name Guiness written clearly, while the Smirnoff ad begins with written information on the advert name and what it represents (Ramavath, 2017). The alcohol advertising industry is strictly regulated in the UK, with mandatory advertising warning labels, such as age limitations, health risks, and responsible drinking messages. Observing these regulations shield marketers from legal problems and secures their reputation. In both ads, the marketing companies have ensured that the labelling is clear and the target audience is represented by social meaning, which involves celebrations and partying. Denotative aspects of alcoholic promotion aid consumers in comprehending what the product is and what the pr...
Updated on
Get the Whole Paper!
Not exactly what you need?
Do you need a custom essay? Order right now:

👀 Other Visitors are Viewing These APA Essay Samples:

Sign In
Not register? Register Now!