Essay Available:
page:
1 pages/≈275 words
Sources:
2
Style:
APA
Subject:
Literature & Language
Type:
Coursework
Language:
English (U.S.)
Document:
MS Word
Date:
Total cost:
$ 4.32
Topic:
Ellen DeGeneres: Being a Successful Daytime Live Television Host
Coursework Instructions:
Answer the following questions about the two assigned readings
https://www(dot)nytimes(dot)com/2019/01/02/movies/chadwick-boseman-black-panther.html
https://www(dot)nytimes(dot)com/2018/12/12/arts/television/ellen-degeneres.html
1.Form & Structure: How is the Profile Organized? How/why is the organization effective/successful? List 2-3 reasons.
2.Rhetorical Choices: What are some effective sentence-level choices Ugwu makes? List 1-2 examples.
3.Implicit Argument: How is success discussed/explored in this profile? How is it defined or embodied in Boseman?
4. Genre: How is this a successful example of the profile genre?
Coursework Sample Content Preview:
Ellen DeGeneres: Being a Successful Daytime Live Television Host
Both Chadwick Boseman and Ellen DeGeneres's articles embrace a current to past and personal flow. Zinoman (2018) and Ugwu (2019) begin with what makes the stars', Ellen DeGeneres and Chadwick Boseman, extraordinary and sensational today to historical background and what they are as individuals. The profile is successful as the reader is taken through the three aspects of the actors' life, including their current stardom status, growth and challenge to development, and their personalities as individuals. Additionally, the reader understands the individuals' current sentiments and the global concerns of their fans. Finally, the reader can visualize the stars' struggles through their career development and outcome stages.
Ugwu (2019) makes a critical rhetorical choice framed as a question on Boseman's experiences. The first is when he uses the first-person reference to Boseman's walk on the street with the exposed crack on the random street man. He states that if one were to be anyone else, rather than Boseman, they would not care about the man with the exposed crack. Being a sta...
Both Chadwick Boseman and Ellen DeGeneres's articles embrace a current to past and personal flow. Zinoman (2018) and Ugwu (2019) begin with what makes the stars', Ellen DeGeneres and Chadwick Boseman, extraordinary and sensational today to historical background and what they are as individuals. The profile is successful as the reader is taken through the three aspects of the actors' life, including their current stardom status, growth and challenge to development, and their personalities as individuals. Additionally, the reader understands the individuals' current sentiments and the global concerns of their fans. Finally, the reader can visualize the stars' struggles through their career development and outcome stages.
Ugwu (2019) makes a critical rhetorical choice framed as a question on Boseman's experiences. The first is when he uses the first-person reference to Boseman's walk on the street with the exposed crack on the random street man. He states that if one were to be anyone else, rather than Boseman, they would not care about the man with the exposed crack. Being a sta...
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