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Literature & Language
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Book Review
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English (U.S.)
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May Fourth Romanticism from "The Night a Tiger was Captured" and Pingmei and Yin Memoirs

Book Review Instructions:

Please read and respond to Tian Han's one-act play "The Night a Tiger was Captured" and the two short memoirs from two women writers Shi Pingmei and Lu Yin. (Both in attachement)
Address the following questions or raise your own:
What do you see as the characteristics of May Fourth Romanticism from reading Tian Han's one-act play "The Night a Tiger was Captured" and the memoirs of two female writers Shi Pingmei and Lu Yin? How are they related to (or deviate from) the increasingly dominant trend of Realism in literary and social activism as represented by Lu Xun and Rou Shi?
How are the specificities of literary forms (traditional Chinese theatre, Western-style drama, diary, memoir, short story, novella, etc.) contributing to or hindering the expression of aesthetic or political content?
Cite sources if you are quoting others to avoid plagiarizing. You will receive zero point for any portion of plagiarized responses. Use quotes and cite authors' surnames (Tian, Shi, and Lu) and page numbers to support your responses.

Book Review Sample Content Preview:
What do you see as the characteristics of May Fourth Romanticism from reading Tian Han's one-act play "The Night a Tiger was Captured" and the memoirs of two female writers Shi Pingmei and Lu Yin? How are they related to (or deviate from) the increasingly dominant trend of Realism in literary and social activism as represented by Lu Xun and Rou Shi?
During the early 20th century in China, realism was a way of affecting the urgent reforms as an iconoclastic methodology in opposing the traditional Chinese literature. The may Fourth Romanticism greatly appealed in changing the people’s consciousness.(Grigg, 2014) The importance of realism lies in the essence of our own experiences. Reflections upon our subjective thoughts define the beauty of the play. Tian Han was especially important because he was a pioneer in the environment of his culture. Tian was able to manifest the connection with the audience by skillfully manipulating the cohesion and convincing actions of characters to portray "touching experiences".
An audience can be comparable to the protagonist, lured by a curious source of light, later then realizing that it’s a trap that would ultimately guide to the climax of the story, just like how unpredictable life can be. Tian Han’s life story is truly a marvelous gift to humanity, even though it was tragic, it is a lesson to all of us. This is the same with Shi Ping Mei and Lu Yin. Their talents are gifts that would live in humanity’s soul forever. I truly believe that their life story should be proliferated and shared through our education system to those who are interested in the field of Chinese theater and all fanatics alike.
Now let us turn our attention to their works. Let us delve deeper into the play "The Night a Tiger was born" and more specifically dissect the beauty of Tian’s creation. One particular event in the story, two hunters, "Bull’s Eye Yuan" and "Deaf Yissi" were out in the mountains hunting for tigers. Grimly, they were able to encounter a tigress that was able to tragically kill Deaf Yissi, and upon Yissi’s death, Bull’s-Eye Yuan swore to exact revenge on the tigress that was minutely able to escape (Tian, 1974, pp17-19). Yuan spent his entire life hunting that tigress that killed his beloved friend, and in his wil...
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