Analysis of Romantic Music Style

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Analysis of Romantic Music Style
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Analysis of Romantic Music Style
Throughout history, music composers have developed different styles that can be categorized periodically by key features and applications in musical work. A popular style that originated from the classical period is romantic music. The technique was expressive, focusing on provoking emotion and passion- mainly encompassing literary, philosophical, emotional, and artistic themes. Romantic music style can be recognized for its large orchestras, slight speeding, slowing down, modulations, and adventurous harmonies that sparked different listeners' interests. In researching and analyzing romantic music styles, different facets can be identified. For this study, the scope or defining aspects include musical eras, structures, classic and romantic periods, prominent composers, instruments used, application, performance, and characteristics of romantic music style.
Chang, Liu. "A Comparative Statistical Analysis of Music Styles (Seventeenth–Nineteenth Centuries)." Interdisciplinary Science Reviews 45, no. 4 (2020): 581-594.
Chang’s article reveals a comparative statistical study of various music styles. The authors credit the survey with a focus on instrumentals used by composers of the Romanticism period, and within the study, a number of music notes are discussed. Thus, the article informs different music styles and helps to understand the features of romantic music and musical tools.[, Liu Chang. "A Comparative Statistical Analysis of Music Styles (Seventeenth–Nineteenth Centuries)". Interdisciplinary Science Reviews 45, no. 4 (2020): p. 586]
Djahwasi, Herry Rizal, and Zaharul Lailiddin Saidon. "An Analysis of Artistic Form and Musical Perspective of Romantic Era Music." International Journal of Academic Research in Business and Social Sciences 11, no. 11 (2021): 771 – 782.
Djahwasi and Saidon provide an analysis of artistic form and musical perspectives during the French revolution. The article asserts how the massive development of musicology played a part and influenced diverse compositions. The romantic music style is featured in the analysis as an approach popular in the romantic era. Information in this resource is helpful to understand the study element of music eras concerning romantic music.[Herry Rizal Djahwasi and Zaharul Lailiddin Saidon. "An Analysis of Artistic Form and Musical Perspective of Romantic Era Music". International Journal of Academic Research in Business and Social Sciences 11, no. 11 (2021): p.776]
Gaugne, Ronan, Florian Nouviale, Octavia Rioual, Arnaud Chirat, Kevin Gohon, Vincent Goupil, Martin Toutirais, Bruno Bossis, and Valérie Gouranton. "Evolution: Walking through an interactive history of music." Presence 26, no. 03 (2018): 281-296.
The article by Gaugne et al. provides a descriptive view of music history and looks at the interactive visual and musical representation in western music history. According to the authors, some music genres like romantic style were featured with thematic expressions. The article discusses a project that helps explore music type through magical dimensions made possible by virtual reality. Information in this content is relevant for the analysis.[, Ronan Gaugne, Florian Nouviale, Octavia Rioual, Arnaud Chirat, Kevin Gohon, Vincent Goupil, Martin Toutirais, Bruno Bossis, and Valérie Gouranton. "Evoluson: Walking through an interactive history of music." Presence 26, no. 03 (2018): p. 287]
Herget, Ann-Kristin. "Well-known and unknown music as an emotionalizing carrier of meaning in film." Media Psychology 24, no. 3 (2021): 385-412.
In her work on media psychology, Herget talks about music as an emotionalizing career and focuses on applying romantic music style in films. According to the author, a study conducted on film aimed to determine the relevance of romantic music style and its potential to convey meaning. Film genres associated with romance feature romantic music to express emotions, which has a significant impact. The article is well organized and analyzed by integrating various pieces of literature.[Ann-Kristin Herget, "Well-known and unknown music as an emotionalizing carrier of meaning in film." Media Psychology 24, no. 3 (2021): p. 388]
Kelly, Benjamin O., Cameron J. Anderson, and Michael Schutz. "Exploring changes in the emotional classification of music between eras." Auditory Perception & Cognition 4, no. 1-2 (2021): 121-131
Kelly informs that studies have noted the change in musical cues between classical and romantic periods. The author's work accounts for how musical structure has changed with time, focusing significantly on the western central and minor modes. With that, the article presents structural differences and influences of romantic music composers. The information presented is reliably supported by literature work[, Benjamin Kelly O., Cameron J. Anderson, and Michael Schutz. "Exploring changes in the emotional classification of music between eras." Auditory Perception & Cognition 4, no. 1-2 (2021): p. 125]
Kirby, Philip. "Geography and film music: Musicology, gender, and the spatiality of instrumental music." Transactions of the Institute of British Geographers 46, no. 3 (2021): 570-583.
In Kirby’s work, the idea presented relating to romantic music style is geography and instrumentals in filming. The author asserts that film and music are vital concerns in the human world, and research engaging in musicology encounters the overwhelming role of romantic style. The article highlights that the romantic kind of music was a crucial influence on classic songs and featured vastly in Hollywood films. The resource is vital to help understand the role of romantic music style in application to films.[Philip Kirby. "Geography and film music: Musicology, gender, and the spatiality of instrumental music." Transactions of the Institute of British Geographers 46, no. 3 (2021): p. 577]
Lieck, Robert, Fabian C. Moss, and Martin Rohrmeier. "The tonal diffusion models." Transactions of the International Society for Music Information Retrieval 3, no. 1 (2020): 153-164
Lieck et al. analyze the tonal diffusion model, asserting that the distribution of pitch in music is of vital relevance in music computation. According to the authors, how music is perceived and recognized depends on pitch-class properties. In highlighting the connection of pitch distribution, the authors credibly evaluate some pieces in the romantic era, looking at the major and minor modes in romantic music.[Robert Lieck, Fabian C. Moss, and Martin Rohrmeier. "The tonal diffusion models." Transactions of the International Society for Music Information Retrieval 3, no. 1 (2020): p. 157]
Liu, Jiayuan. "Analysis of Romantic Factors in Classical Music." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021), pp. 339-344. Atlantis Press, 2021.
In his article, Liu informs how classism was popular in western society during the 17th and 18th periods. Such was an era when European countries were going through changes of war. Humanism and romanticism were established then and played a role in forming romantic music. The article analyzes romantic factors in classical music and points out examples of classical music with romantic styles or elements. The article is relevant with its depth analysis of romantic music style.[Jiayuan Liu. "Analysis of Romantic Factors in Classical Music." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021), p. 339]
Moskvichova, Yuliia, Nataliia Mozgalova, Olga Shcholokova, and Iryna Baranovska. "Historical Prerequisites for The Formation, Worldview, and Aesthetics of Romanticism: Specificity of Th...